Posts Tagged ‘ryan lizza’

In this week’s New Yorker

October 15, 2016

The “Fall Books” issue is especially loaded with terrific articles, starting with a high-powered Talk of the Town section with Amy Davidson writing about the third-party candidates; a piece about Amit Kumar, a Silicon Valley entrepreneur who has devised a mobile app called #NeverTrump allowing people to swap votes in swing states; and a visit to a dive bar in Bed-Stuy with Bonnie Raitt, about whom I can never hear enough.

ursula-leguin-illo-by-essy-may
The feature well contains four substantial articles:

  • Ryan Lizza’s “Taming Trump,” about the succession of campaign managers attempting to counsel the Republican candidate for president (Lizza lets it be known that Trump’s de facto campaign manager is his son-in-law Jared Kushner, though the official one, Kellyanne Conway, has apparently managed to get DJT to refer to himself and his campaign as “the movement”);
  • Julie Phillips’ fascinating profile of legendary sci-fi author Ursula K. Le Guin (beautifully illustrated by Essay May, above);
  • a piece about Turkey that I thought wouldn’t interest me, but I’ll read anything by Dexter Filkins, and his Reporter at Large piece, “The Thirty-Year Coup,” provides revelatory background on Fethullah Gülen, the 78-year-old cleric who has a huge cult following in Turkey, whom he influences from his exile in the Poconos (!); and
  • the profile of Leonard Cohen by the magazine’s ever-astonishing editor-in-chief David Remnick, who among other things reports being fiercely scolded by his subject (who’s now 82 and quite ill) for showing up late to an appointment and quotes at length an incredibly sophisticated analysis of Cohen’s songwriting that he obtained from talking to Bob Dylan.

Among the several book reviews, I most enjoyed Alexandra Schwartz’s detailed summary of a book I’d like to read, Emily Witt’s Future Sex, and Adam Gopnik’s overview of novels based on Shakespeare plays.  And the best cartoon in this issue is Barry Blitt’s Sketchbook:

hillary-campaign-memorabilia

 

In this week’s New Yorker

May 9, 2013

The best reading is “Every Disease on Earth,” Rivka Galchen’s piece on Elmhurst Hospital in Queens, which apparently serves the most ethnically diverse population of any in the world, and Dr. Joseph Lieber (below, photo by Stephanie Sinclair), a dedicated resident and ace diagnostician.

dr joseph lieber

Also of interest: Ryan Lizza’s profile of Colorado’s governor, John Hickenlooper, and the state’s political shift in recent years over issues of guns, gay marriage, and marijuana; Dexter Filkins’ “The Thin Red Line,” about the Obama Administration’s internal debate over what to do about Syria; Joan Acocella writing amusingly, as ever, about the new burlesque scene in downtown Manhattan (“Take It Off”); and Kelefa Sanneh’s Critic at Large essay on anarchism, reviewing a number of books inspired by the Occupy movement and explicating the crucial distinctions between vertical and horizontal movements.

bull in china shop

In this week’s New Yorker

March 5, 2013

new yorker pope coverThe best thing about this week’s New Yorker is Barry Blitt’s cover, titled “Sic Transit Gloria Mundi,” though I also read with interest Jeffrey Toobin’s profile of Ruth Bader Ginsburg and Larissa MacFarquhar’s post-mortem on the troubled, enigmatic Aaron Swartz. (One of the many benefits of subscribing to The New Yorker Out Loud podcast via iTunes is that I now know how to pronounce Larissa MacFarquhar.)

While I’m at it, let me mention the highlights of last week’s issue, starting with the great Roz Chast cover, “Ad Infinitum”  (below):
rox chast ad infinitum cover
Then there’s “Hands Across America,” David Owen’s piece on the rise of Purell hand sanitizer, a detailed description of how one small company has managed to get rich capitalizing on the weird germ-phobia that has taken over America;

also Ryan Lizza’s piece on Eric Cantor, one of the Republicans most in charge of obstructing any political progress in Washington;

and John Colapinto’s fascinating article, “Giving Voice,” on the surgeon who repaired Adele’s vocal cords (and those of many other famous pop singers).

And the odd cartoon or two….
internet and get scared

In this week’s New Yorker

August 11, 2012

By far the most compelling reading in this issue is Atul Gawande’s long fascinating study of how chain restaurants manage to produce tasty food — he uses the Cheesecake Factory as his case study — and the ways in which hospitals would benefit from reproducing such systems. If you’re like me, you probably think you don’t want to know too much about what happens in restaurant kitchens, fearing the worst. But Gawande’s account surprised and impressed me — of course, it makes sense for there to be strong accountability in restaurant management, otherwise they wouldn’t stay in business. And it’s accountability in several directions — to proper health standards; to the customer; to keeping costs affordable and waste to a minimum — that the author sees as key and makes a persuasive case for. As a physician employed by a hospital himself, he acknowledges the resistance that doctors have to systematizing procedures, but he also reports on several cases where hospitals have adopted these systems successfully. His article makes me realize that we, the public, have gotten accustomed to healthcare (the scheduling, the costs, the recommendations) running for the convenience of the doctors, when it should be the other way around.

Another healthcare-related high point in the issue: James Surowiecki’s Financial Page column, “Downsizing Supersize,” a very sensible analysis of Mayor Bloomberg’s effort to limit the size of sodas for sale. Some express outrage and consider this a form of governmental micro-managing, but I have to say I support the idea 100%, and Surowiecki lays out the case superbly.

What else? Having gotten caught up in various Olympics dramas, I found Ben McGrath’s report from London to be entertaining. I have a strange ambivalence about Lena Dunham — I can’t tell if she has real talent, or just a high tolerance for self-exposure — but I read her Personal History essay on “First Love” anyway. I’m intrigued with those writers who are managing to incorporate up-to-the-minute social media in their stories — Justin Taylor’s “After Ellen” is nominally fiction, and narrated by a man, but otherwise it’s in the same category as Dunham’s piece.


Steve Coll’s profile of Imran Khan, former cricket star now running for top office in Pakistan, gives me some hope that that country can avoid falling completely under the sway of Islamist fundamentalists. And Adam Gopnik’s book review/essay, “I, Nephi,” proves that no matter how intelligently you’re willing to discuss Mormonism, there’s no way that the religion doesn’t come off as absolutely crazy-pants.

And now that Mitt Romney has named his running partner, you may want to go back and read Ryan Lizza’s recent profile of Paul Ryan — yes, he’s handsome and well-spoken, but like Romney committed to economic policies that unavoidably benefit the 1% more than the rest of us folks.

In this week’s New Yorker

August 1, 2012


An engrossing issue to read on a three-hour plane ride. Having spent a good chunk of the weekend watching the Olympics, I enjoyed the cover, along with a string of engrossing articles I might not otherwise have devoured quite so closely:

Ryan Lizza’s informative and characteristically in-depth profile of Wisconsin Congressman Paul Ryan, he of the ostensibly sensible budget that barely conceals all kinds of ideological landmines. Obama’s budget director, as Lizza puts it, “dismantled Ryan’s plan, point by point.” Ryan’s proposal would turn Medicare “into a voucher program, so that individuals are on their own in the health-care market,” he said. Over time, the program wouldn’t keep pace with rising medical costs, so seniors would have to pay thousands of dollars more a year for health care. The Roadmap would revive Bush’s plan to privatize Social Security and “provide large tax benefits to upper-income households . . . while shifting the burden onto middle- and lower-income households. It is a dramatically different approach in which much more risk is loaded onto individuals.”

Lauren Collins’ piece on conceptual artist Tino Sehgal, whose work involves no objects whatsoever but focuses on personal interaction;

Mark Singer’s absolutely riveting story about a Michigan dentist who went to incredibly arduous lengths to present himself as a marathon champion without ever actually completing a race and in some cases inventing them (and their websites) from scratch — which falls into the Department of Ugly Truths, or How Fucked-Up Human Beings Can Be. It is essentially a sleuth job on a pathological liar, a mysterious breed of personality;

Evan Osnos on the curious case of Myanmar’s bloodless regime change; and

— a curious little previously unpublished story, “Thank You for the Light,” recently discovered among the papers of F. Scott Fitzgerald, which you can read in its (brief) entirety here. The evocative illustration (below) is by Owen Freeman.


While I’m at it, let me put in a word for two must-reads in the previous issue (cover date July 30): the long and terrific profile of Bruce Springsteen, all the more impressive for being written by New Yorker editor-in-chief David Remnick, who often surprises me with his choice of subjects; and Zadie Smith’s delightful story, “Permission to Enter,” an excerpt from her forthcoming novel NW.

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