Posts Tagged ‘dexter filkins’

In this week’s New Yorker

October 15, 2016

The “Fall Books” issue is especially loaded with terrific articles, starting with a high-powered Talk of the Town section with Amy Davidson writing about the third-party candidates; a piece about Amit Kumar, a Silicon Valley entrepreneur who has devised a mobile app called #NeverTrump allowing people to swap votes in swing states; and a visit to a dive bar in Bed-Stuy with Bonnie Raitt, about whom I can never hear enough.

ursula-leguin-illo-by-essy-may
The feature well contains four substantial articles:

  • Ryan Lizza’s “Taming Trump,” about the succession of campaign managers attempting to counsel the Republican candidate for president (Lizza lets it be known that Trump’s de facto campaign manager is his son-in-law Jared Kushner, though the official one, Kellyanne Conway, has apparently managed to get DJT to refer to himself and his campaign as “the movement”);
  • Julie Phillips’ fascinating profile of legendary sci-fi author Ursula K. Le Guin (beautifully illustrated by Essay May, above);
  • a piece about Turkey that I thought wouldn’t interest me, but I’ll read anything by Dexter Filkins, and his Reporter at Large piece, “The Thirty-Year Coup,” provides revelatory background on Fethullah Gülen, the 78-year-old cleric who has a huge cult following in Turkey, whom he influences from his exile in the Poconos (!); and
  • the profile of Leonard Cohen by the magazine’s ever-astonishing editor-in-chief David Remnick, who among other things reports being fiercely scolded by his subject (who’s now 82 and quite ill) for showing up late to an appointment and quotes at length an incredibly sophisticated analysis of Cohen’s songwriting that he obtained from talking to Bob Dylan.

Among the several book reviews, I most enjoyed Alexandra Schwartz’s detailed summary of a book I’d like to read, Emily Witt’s Future Sex, and Adam Gopnik’s overview of novels based on Shakespeare plays.  And the best cartoon in this issue is Barry Blitt’s Sketchbook:

hillary-campaign-memorabilia

 

In this week’s New Yorker

September 26, 2013

new yorker sept 30 cover
It took me a while to understand Barry Blitt’s cover (“Bad Chemistry”), but I guess I’m one of the last halfway sentient people in New York who has never watched an episode of Breaking Bad.

I found all four of the feature stories absorbing:

* Xan Rice’s “Now Serving,” about a brave Somali who opened a string of restaurants and hotels in Mogadishu and continues to operate despite being attacked by the Shabab, the same band of crazed thugs who shot up the shopping mall in Nairobi this week;

* Josh Eells’s “Night Club Royale,” about the dance nightclub industry in Las Vegas, where certain clubs pull in half a million dollars a night from drinks alone and star DJs get paid astronomical fees;

* I kept telling myself, ugh, I don’t want to read any more details about the distressing/hopeless situation in Syria, and yet the great reporter Dexter Filkins’s piece “The Shadow Commander” tells us about a figure it’s important to know about, Qassem Suleimani, an Iranian operative who has been calling the shots in Iraq and Syria for the last fifteen years;

edie windsor
* Ariel Levy’s “The Perfect Wife,” about how marriage equality activists and lawyers selected Edie Windsor as the case to take to the Supreme Court — and what a wild gal she is, even today.

I read with interest Emily Nussbaum’s essay about “Key and Peele,” a TV comedy show by a team of biracial comedians I’ve never heard of — I definitely plan to check them out. I also liked Cora Frazier’s hilarious Shouts & Murmurs piece, “To The N.S.A.: Some Explanations.”

Still not loving the newly designed Goings On Around Town, though I did admire this illustration accompanying Joan Acocella’s Critic’s Choice about two dance pieces based on Othello:

OTHELLo illo
But the best thing in the entire issue is Ian Frazier’s Talk of the Town piece about Shaina Harrison, a young community activist working hard to educate kids about guns in Red Hook. I liked the piece so much I reproduced it in full here.

In this week’s New Yorker

May 9, 2013

The best reading is “Every Disease on Earth,” Rivka Galchen’s piece on Elmhurst Hospital in Queens, which apparently serves the most ethnically diverse population of any in the world, and Dr. Joseph Lieber (below, photo by Stephanie Sinclair), a dedicated resident and ace diagnostician.

dr joseph lieber

Also of interest: Ryan Lizza’s profile of Colorado’s governor, John Hickenlooper, and the state’s political shift in recent years over issues of guns, gay marriage, and marijuana; Dexter Filkins’ “The Thin Red Line,” about the Obama Administration’s internal debate over what to do about Syria; Joan Acocella writing amusingly, as ever, about the new burlesque scene in downtown Manhattan (“Take It Off”); and Kelefa Sanneh’s Critic at Large essay on anarchism, reviewing a number of books inspired by the Occupy movement and explicating the crucial distinctions between vertical and horizontal movements.

bull in china shop

In this week’s New Yorker

October 26, 2012

 

The Politics issue of the New Yorker this week has some very strong good stuff: the long thoughtful endorsement of Obama for re-election; Jane Mayer’s fantastic story about Hans von Spakovsky, the reprehensible villain who is single-handedly responsible for the Republican push for voter-ID laws to disenfranchise populations who don’t favor Republican candidates; and the mesmerizing saga written by George Packer of Jeff Connaughton, someone who has toiled behind the scenes in politics as a speechwriter, lobbyist, and assistant for decades. But the single best story is Dexter Filkins’ “Atonement,” in which the New York Times reporter (pictured below) witnesses the highly emotional meeting in California between severely traumatized Iraq veteran Lu Lobello and the surviving family of three civilians Lobello killed on April 8, 2003, when U.S. forces moved into Baghdad. I wept nonstop reading the story.

In this week’s New Yorker

July 3, 2012


Not the most exciting issue in recent history. I’m not sure why, but I read every word of Dexter Filkins’ depressing forecast of Afghanistan after American troops pull out, Mavis Gallant’s diaries from May and June of 1950 (when the 28-year-old writer sat around in Spain working on a novel and starving while waiting for checks to arrive from selling two stories to The New Yorker), Nathan Heller’s openly snarky feature on the TED talk phenomenon, Anthony Lane’s hilarious review of The Amazing Spider-Man, and enough of Emily Nussbaum’s rave review of the new season of Louie to know that I can’t wait to see it. Joel Stein’s Shouts & Murmurs piece takes a dubious cliche of a joke idea (the pretentious waiter-spiel) and makes something pretty funny out of it.

But I’d like to take a moment to point out the almost ridiculously hip and knowing, expertly succinct good writing that shows up in the New Yorker’s music listings. Prime example:

Glasslands Gallery
289 Kent Ave., between S. 1st and S. 2nd Sts., Brooklyn, N.Y. (No phone) — TJ Cowgill is the heavily tattooed founder and creative director of Actual Pain, a voguish Seattle clothing label that fuses urban streetwear aesthetics with vaguely pagan symbols: upside-down crosses, pentagrams, or any non-threateningly occultish emblem that will force a reaction from the wearers’ parents. Cowgill also leads two bands, the death-metal outfit Book of Black Earth and King Dude, a slightly more accessible (though similarly bleak) neo-folk solo project, which is here on July 5. Opening for Cowgill, with his brand of stark, haunting Americana, is Røsenkøpf, a promising local trio that layers screeching, wounded vocals atop cold, industrial electronica.”

Almost sounds like a parody itself, doesn’t it?

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