Posts Tagged ‘barry blitt’

In this week’s New Yorker

October 15, 2016

The “Fall Books” issue is especially loaded with terrific articles, starting with a high-powered Talk of the Town section with Amy Davidson writing about the third-party candidates; a piece about Amit Kumar, a Silicon Valley entrepreneur who has devised a mobile app called #NeverTrump allowing people to swap votes in swing states; and a visit to a dive bar in Bed-Stuy with Bonnie Raitt, about whom I can never hear enough.

ursula-leguin-illo-by-essy-may
The feature well contains four substantial articles:

  • Ryan Lizza’s “Taming Trump,” about the succession of campaign managers attempting to counsel the Republican candidate for president (Lizza lets it be known that Trump’s de facto campaign manager is his son-in-law Jared Kushner, though the official one, Kellyanne Conway, has apparently managed to get DJT to refer to himself and his campaign as “the movement”);
  • Julie Phillips’ fascinating profile of legendary sci-fi author Ursula K. Le Guin (beautifully illustrated by Essay May, above);
  • a piece about Turkey that I thought wouldn’t interest me, but I’ll read anything by Dexter Filkins, and his Reporter at Large piece, “The Thirty-Year Coup,” provides revelatory background on Fethullah Gülen, the 78-year-old cleric who has a huge cult following in Turkey, whom he influences from his exile in the Poconos (!); and
  • the profile of Leonard Cohen by the magazine’s ever-astonishing editor-in-chief David Remnick, who among other things reports being fiercely scolded by his subject (who’s now 82 and quite ill) for showing up late to an appointment and quotes at length an incredibly sophisticated analysis of Cohen’s songwriting that he obtained from talking to Bob Dylan.

Among the several book reviews, I most enjoyed Alexandra Schwartz’s detailed summary of a book I’d like to read, Emily Witt’s Future Sex, and Adam Gopnik’s overview of novels based on Shakespeare plays.  And the best cartoon in this issue is Barry Blitt’s Sketchbook:

hillary-campaign-memorabilia

 

In this week’s New Yorker

September 26, 2013

new yorker sept 30 cover
It took me a while to understand Barry Blitt’s cover (“Bad Chemistry”), but I guess I’m one of the last halfway sentient people in New York who has never watched an episode of Breaking Bad.

I found all four of the feature stories absorbing:

* Xan Rice’s “Now Serving,” about a brave Somali who opened a string of restaurants and hotels in Mogadishu and continues to operate despite being attacked by the Shabab, the same band of crazed thugs who shot up the shopping mall in Nairobi this week;

* Josh Eells’s “Night Club Royale,” about the dance nightclub industry in Las Vegas, where certain clubs pull in half a million dollars a night from drinks alone and star DJs get paid astronomical fees;

* I kept telling myself, ugh, I don’t want to read any more details about the distressing/hopeless situation in Syria, and yet the great reporter Dexter Filkins’s piece “The Shadow Commander” tells us about a figure it’s important to know about, Qassem Suleimani, an Iranian operative who has been calling the shots in Iraq and Syria for the last fifteen years;

edie windsor
* Ariel Levy’s “The Perfect Wife,” about how marriage equality activists and lawyers selected Edie Windsor as the case to take to the Supreme Court — and what a wild gal she is, even today.

I read with interest Emily Nussbaum’s essay about “Key and Peele,” a TV comedy show by a team of biracial comedians I’ve never heard of — I definitely plan to check them out. I also liked Cora Frazier’s hilarious Shouts & Murmurs piece, “To The N.S.A.: Some Explanations.”

Still not loving the newly designed Goings On Around Town, though I did admire this illustration accompanying Joan Acocella’s Critic’s Choice about two dance pieces based on Othello:

OTHELLo illo
But the best thing in the entire issue is Ian Frazier’s Talk of the Town piece about Shaina Harrison, a young community activist working hard to educate kids about guns in Red Hook. I liked the piece so much I reproduced it in full here.

In this week’s New Yorker

March 5, 2013

new yorker pope coverThe best thing about this week’s New Yorker is Barry Blitt’s cover, titled “Sic Transit Gloria Mundi,” though I also read with interest Jeffrey Toobin’s profile of Ruth Bader Ginsburg and Larissa MacFarquhar’s post-mortem on the troubled, enigmatic Aaron Swartz. (One of the many benefits of subscribing to The New Yorker Out Loud podcast via iTunes is that I now know how to pronounce Larissa MacFarquhar.)

While I’m at it, let me mention the highlights of last week’s issue, starting with the great Roz Chast cover, “Ad Infinitum”  (below):
rox chast ad infinitum cover
Then there’s “Hands Across America,” David Owen’s piece on the rise of Purell hand sanitizer, a detailed description of how one small company has managed to get rich capitalizing on the weird germ-phobia that has taken over America;

also Ryan Lizza’s piece on Eric Cantor, one of the Republicans most in charge of obstructing any political progress in Washington;

and John Colapinto’s fascinating article, “Giving Voice,” on the surgeon who repaired Adele’s vocal cords (and those of many other famous pop singers).

And the odd cartoon or two….
internet and get scared

In this week’s New Yorker

February 1, 2012


Aside from another great Barry Blitt cover, what’s best about this issue are two long, engrossing, disturbing features. Ian Parker goes into the minute details of everything that led up to the suicide of Rutgers freshman Tyler Clementi, including his awkward relationship with his dorm roommate Dahrun Ravi. The article mostly exposes the painfully dysfunctional ways that teenagers learn to communicate — and even more important, NOT to communicate — with other people directly. Meanwhile, Ian Frazier’s “Our Local Correspondent” piece uses the closing of the Stella D’oro cookie factory in the Bronx as a way of addressing how private-equity firms (like Bain Capital, where Mitt Romney gained his business experience and vast wealth) have set about ruining small business in America, not unlike the way the big banks ruined the economy through sub-prime mortgages. Very illuminating and disheartening — and a stark depiction of how the system has been set up to profit the 1% wealthiest Americans and screw over the rest of us.

Some key passages: When Stella D’Oro founder Joseph Kresevich died in 1965, his stepson Phil Zambetti took over. “Wages went up. Workers received health insurance paid for by the company, a fully funded pension plan, sick leave, and up to four weeks’ paid vacation a year. They [got] a factory-wide birthday holiday (for everybody’s birthday, celebrated annually on the same day), with pay. Stella D’oro sponsored a local Little League team, donated cookies to charity events, opened a restaurant with cheap and good Italian food next to the factory, hosted Kiwanis Club meetings at the restaurant. The company’s delivery trucks were step vans painted white with a gold band running around the lower half and forest-green hubcaps. They added a rhythm to the neighborhood as they came and went straight from the factory to stores, with no warehouse in between…”

When the factory closed October 9, 2008, “the laid-off bakers and mechanics and packers applied for unemployment insurance, and the president of the Bronx Economic Overall Development Corporation urged them to go to a workers’ center on East 149th Street for career counseling and training vouchers.
“In the second week of October, just days after the factory closed, Goldman Sachs announced that it would pay out twenty-three billion dollars in holiday bonuses to its executives and staff. The amount was the largest bonus pool in the hundred-and-forty-year history of Goldman Sachs. At the highest average salary Brynwood [the private equity firm that sold Stella D’oro to the company that shut the factory down and moved its business to Ohio] had offered — about seven hundred and eighty dollars a week — the hundred and thirty-four Stella D’oro workers together would have had to work forty-hour weeks for about forty-two hundred years to earn twenty-three billion dollars.”

Occupy: New Yorker “Fighting Back” cover

October 18, 2011


I haven’t even read the issue yet, but I couldn’t resist posting Barry Blitt’s brilliant cover illustration for this week’s issue of The New Yorker. As my hyperbolic friend David Zinn would say: Best. Cover. Ever. It’s the ultimate Consider the Alternative, no matter what you think about Occupy Wall Street.

And then of course there’s this political cartoon making the rounds:

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