New York stories: The Jeweler

July 19, 2011

One of the earpieces on my vintage eyeglasses came off. My local opticians, Miles & Tisch, said it needed to be soldered — they would have to send it out, it would take 5 days and cost $59. If I wanted same-day service, they suggested I try the Diamond District. There, behind one of the storefronts on 47th Street between Sixth and Seventh Avenues, I located a veritable souk, a warren of cubicles inhabited by quiet craftsmen plying their ancient trades.

I walked into one tiny shop at random, where a very nice Syrian gentleman wearing a pair of those funny six-lens jeweler’s specs agreed to fix my glasses, the way he’d repaired his children’s many times. As he set about the task, another customer appeared in the doorway, a big giant white man with his porky, sullen daughter in tow. The daughter plopped down on a chair and continued to read her Harry Potter book while the father ostentatiously counted out $4000 in $100 bills, put them in an envelope, and deposited it on the jeweler’s desk, jabbering away nonstop. Apparently, the jeweler had made a diamond ring a half-size larger, and he located the ring in a drawer and handed the envelope to the customer.

“No, no,” he said.  “I want you to hold onto it for now. We’re in the city for the day, we’re going to be walking around, I don’t want to carry it around the city. I mean, we might decide to go to Harlem.”

His racist remark hung in the air like someone’s smelly fart.

After a beat, I said, “Or you could go down to Wall Street and get your pocket picked just as easily.”

He laughed — “You got that right!” — and went on jabbering, oblivious to the jeweler’s attempt to concentrate on the fine work of removing minuscule screws, handling the tiny blue flame of the soldering iron, and applying it carefully to the thin earpiece. Finally, the big man and his charge lumbered out the door. The jeweler looked up at me, said nothing, and went back to his work.

He not only re-attached the earpiece but took the other one off and straightened it out and put everything back together perfectly. This took about 20 minutes.  “How much do I owe you?” I said. “Whatever you like,” he said. Ah yes, the familiar refrain of Middle Eastern business encounters. I remember this from being in Morocco. It’s a form of social intercourse, but unnerving to Americans accustomed to price tags. “Please, tell me how much,” I begged. He was very modest: “Really, whatever you like.” I handed him $50 in cash. He gave me back $30. Very nice man. Joseph Zaroura, Zaroura Jewelry at City Jewelry Plaza, 20 W. 47th Street, R 51. 212-869-0793.

I’m reminded of the song “The Jeweler,” written by Tom Rapp for his band Pearls Before Swine and later recorded by This Mortal Coil.


Quote of the day: GOOD GIRL

July 18, 2011

“Good Girl”

Look at you, sitting there being good.
After two years you’re still dying for a cigarette.
And not drinking on weekdays, who thought that one up?
Don’t you want to run to the corner right now
for a fifth of vodka and have it with cranberry juice
and a nice lemon slice, wouldn’t the backyard
that you’re so sick of staring out into
look better then, the tidy yard your landlord tends
day and night — the fence with its fresh coat of paint,
the ash-free barbeque, the patio swept clean of small twigs—
don’t you want to mess it all up, to roll around
like a dog in his flowerbeds? Aren’t you a dog anyway,
always groveling for love and begging to be petted?
You ought to get into the garbage and lick the insides
of the can, the greasy wrappers, the picked-over bones,
you ought to drive your snout into the coffee grounds.
Ah, coffee! Why not gulp some down with four cigarettes
and then blast naked into the streets, and leap on the first
beautiful man you find? The words ruin me, haven’t they
been jailed in your throat for forty years, isn’t it time
you set them loose in slutty dresses and torn fishnets
to totter around in five-inch heels and slutty mascara?
Sure it’s time. You’ve rolled over long enough.
Forty, forty-one. At the end of all this
there’s one lousy biscuit, and it tastes like dirt.
So get going. Listen: they’re howling for you now:
up and down the block your neighbors’ dogs
burst not frenzied barking and won’t shut up.

— Kim Addonizio


Theater review: THE ILLUSION

July 13, 2011

My review of Tony Kushner’s The Illusion has just been posted on CultureVulture.net. Check it out and let me know what you think. Better yet, go see the show and let me know what you think. Its run finishes on Sunday, and it features very fine work by director Michael Mayer, designers Christine Jones, Susan Hilferty and Kevin Adams, veteran performers Lois Smith, David Margolies, Henry Stram, Peter Bartlett, and Sean Dugan, as well as some young actors new to me, including Amanda Quaid (of the famous Quaid dynasty — daughter of Randy, niece of Dennis).

Henry Stram, Lois Smith, and David Margolies in Tony Kushner's "The Illusion"


Theater review: RADIOTHEATRE’S 2ND H.P. LOVECRAFT FESTIVAL

July 13, 2011

As a theater critic, I grew up in the field of adventuresome Off- and Off-Off-Broadway. So when I spend too much time covering Broadway shows, I feel like I’ve strayed far from home, and it’s time to check out something a little farther from the beaten path. This week it was Radiotheatre’s “2nd H.P. Lovecraft Festival” at Under St. Mark’s, in the East Village. My review of the show has just been posted on CultureVulture.net. Check it out and let me know what you think.

H. P. Lovecraft


Photo diary: last night at Lincoln Center

July 12, 2011

Traffic jams, camera crews, and ardent fans took over Lincoln Center Plaza for the premiere of the final Harry Potter movie at Avery Fisher Hall. But the real action took place in the lobby of the Vivian Beaumont Theater where Anne Cattaneo, dramaturg for Lincoln Center Theater, received the prestigious Margo Jones Award for her contributions to the craft of playwriting and the life of the theater.

Beautiful tributes were given by Andre Bishop (a former recipient of the award himself) and Meryl Streep (who's received a few awards in her time)...

and John Guare, who co-edits the brilliant Lincoln Center Theater Review with Annie -- they each consider the other their second spouse. Their first spouses were in the crowd (Adele Chatfield-Taylor and Joe Santore), along with Annie's older son William and many distinguished theater folks, including director Adrian Hall (another Margo Jones Award recipient), Lincoln Center producer Bernard Gersten and his wife Cora Cahan, playwright/genius David Greenspan, and actors Lois Smith, Blair Brown, Deborah Rush, Mary Beth Hurt, and Joe Grifasi.

Afterwards I had dinner with my friend Collin Brown, who was visiting New York from Port Townsend, Washington, with his 15-year-old daughter Molly, a "Glee"-head who was geeking out on theater (they've seen "Wicked" and "Jerusalem" so far)

We had dinner at Cassis with Alvaro and Stephen, an early celebration of Stephen's upcoming 70th birthday, and then walked back to Lincoln Center Plaza, intending to check out the new David Michalek installation "Portraits in Dramatic Time," but it was cancelled tonight because of the Harry Potter premiere.