“Boom Boom Pow,” Black Eyed Peas
“Dirty Back Road,” the B-52’s
“Cause=Time,” Broken Social Scene
“Heart It Races,” Dr. Dog
“There’s a New Moon Over My Shoulder,” Jimmie Davis
“Why Baby Why,” James Taylor
“Small Craft on a Milk Sea,” Brian Eno
“Hunter,” Portishead
“Seminole Wind,” James Taylor
“Det haster! (On Montreal remix),” Casiokids
“Night of the Iguana,” Joni Mitchell
“Oh Phoney,” Morrissey
“The Hunter Gets Captured by the Game,” Massive Attack with Tracy Thorn
“Time to Pretend,” MGMT
“Darkness,” Leonard Cohen
“Run,” Kathleen Edwards
“Juanita,” Sheryl Crow and Emmylou Harris
“Ariodante: Act II, Aria; Scherza infida,” Lorraine Hunt Lieberson
“None but Shining Hours,” the Books
“Tried to Be a Man,” Rickie Lee Jones
“Wonderful You,” Audra McDonald
“Exorcismic Breeding Knife,” Of Montreal
“The Peacock,” Beirut
“Ten-Day Interval,” Tortoise
“If You Don’t Love Me,” Kylie Minogue
“George Square,” David Berkeley
“Praying Man,” Atlas Sound
“Flowers,” the Ruling Class
“Trouble Sleep Yanga Wake Am,” Baaba Maal & Taj Mahal (Red Hot + Riot)
“Again Soon After Sunset,” Ohayo
“Seventeen,” Dudley Saunders
“Fok Julle Naaiers,” Die Antwoord
“The Child,” Alex Gopher
“Bedroom Hymns,” Florence and the Machine
“Second Chance,” Junior Boys
“Sun and Sea and You,” Pond
“In My Bed (CJ Mix),” Amy Winehouse
“Shop Vac,” Jonathan Coulton
“Unsustainable,” Eliza Gilkyson
“Wake Up Alone,” Amy Winehouse
“Speechless,” Lady GaGa
“Greek Song,” Manhattan Transfer
“Skin,” Sade
“A Good Idea at the Time,” OK Go
“Wondaland,” Janelle Monae
Playlist: iPod shuffle 4/9/12
April 10, 2012Quote of the day: PRAYER
April 10, 2012PRAYER
The third great prayer, after Help and Thanks, is Wow!
— Anne Lamott (whose birthday is today — happy birthday, fine writer!)
Photo diary: the week in review
April 10, 2012Performance diary: ONCE again
April 10, 2012Andy and I loved Once so much when we saw it in previews (on St. Patrick’s Day) that we immediately bought tickets to see it again (on Easter Sunday) with some friends. When we sat down, I was chagrined to find in the Playbill a notice that the male lead, the wonderful Steve Kazee, was out and that Guy would be played by his understudy, Ben Hope. After fuming for a few minutes, I decided to let it be an opportunity to experience something fresh! and possibly wonderful! And Hope was fine — quite a different performance from Kazee’s, and a little shaky out of the gate. Especially in the opening number, “Leave,” he overdid it with the understatement so that key words dropped out of hearing altogether. In his favor, he’s more of a reg’lar-looking Everyman with a nice voice, which suits the story about a street musician trying to give it a go. Ultimately, though, I did miss Kazee’s handsomeness and charisma and the chemistry he and Cristin Miliotti (below) have built up during the time they’ve been doing the show. But I still admired the show every bit as much as I did the first time around.

The curtain call morphed into the annual fundraising pitch for Broadway Cares/Equity Fights AIDS. David Patrick Kelly, who plays the da, stepped forth and gave one of the most eloquent and touching speeches of this kind I’ve encountered. He made it very personal by first calling out the names of four fellow artists “gone too soon” from AIDS (including Reza Abdoh) and asked us to honor them and our own dearly departed with donations to help others struggling with life-threatening illness. Love that David Patrick Kelly — a real mensch.
And then later, the sad news that Steve Kazee had missed the performance to be with his mother as she passed away that day, after a long battle with breast cancer. Condolences to Kazee and his family.
Good stuff online: LOUIE
April 10, 2012I virtually never watch TV shows. I’m one of those snobs who looks down on it, except for the occasional class act, like The Sopranos or Six Feet Under. But thanks to my new Panasonic BluRay DVD player whose remote comes with its own dedicated Netflix button, I’ve joined the streaming revolution. Aside from Downton Abbey Season 1, what’s most delighted me is the half-hour HBO series written and directed by Louis C.K., the unlikely comedy success — balding middle-aged red-haired (can you say hot?) straight guy. He does some of the most amazingly wide open comic raps on straight men’s curiosity about gay sex, not mention race, parenting, and awkward dating.
I thought more of his episodes would be available on YouTube for free viewing, but the only one of my favorites currently at hand is the infamous “Poker”, in which a bunch of middle-aged straight guys interrogate their gay buddy about what goes on at sex clubs — not to be missed.







