YEAR IN THEATER
A strong year in theater, I would say. Here’s my pick of a dozen top productions:
1. Bloody Bloody Andrew Jackson – Les Freres Corbusier’s smart/stupid rock musical, my first exposure to excellent writer/director Alex Timbers and his fearless crew, including rock-star caliber lead performance by Benjamin Walker. As the subway ads put it, “History just got all sexypants!”
2. The Myopia – David Greenspan in a spectacular solo performance of his own crazy play
3. The Merchant of Venice – Daniel Sullivan’s deep, upsetting staging of Shakespeare’s play in which Al Pacino’s Shylock and Lily Rabe’s Portia were 2 out of 20 strong performances
4. A View from the Bridge – direction by Gregory Mosher, with terrific performances by Liev Schreiber, Jessica Hecht, Scarlett Johansson, Michael Cristofer, and Corey Stoll
5. Angels in America – Michael Greif’s revival of Tony Kushner’s play with extra-fine performances by Christian Borle, Zachary Quinto, Bill Heck, Robin Bartlett, and Robin Weigert

Danielle Skraastad, Susan Pourfar, Marin Ireland, Miriam F. Glover and Michael Chernus in "In The Wake"
6. In the Wake – Lisa Kron’s play (lynchpin of the Public Theater’s admirable political-theater season) with superlative performances by Michael Chernus and Deidre O’Connell
7. A Lie of the Mind – Ethan Hawke’s surprisingly beautiful re-imagining of Sam Shepard’s play, with a revelatory central performance by Alessandro Nivola
8. A Disappearing Number – fine smart new work from Complicite directed by Simon McBurney with a dazzling production design by Michael Levine
9. The Kid – the smart and tuneful musical adaptation of Dan Savage’s memoir with a good cast well-directed by Scott Elliott, most notably Christopher Sieber, Susan Blackwell, and Jeannine Frumess
10. A Free Man of Color – John Guare’s ambitious stylized epic staged in high style by George C. Wolfe with a huge cast in which standouts included Jeffrey Wright, mos, and Veanne Cox
11. Another American: Asking and Telling – perfect timing for Marc Wolf (above) to bring back his Anna Deveare Smith-like solo performance surveying the topic of gays in the military
12. A Behanding in Spokane – Martin McDonagh’s hilarious new play with knockout performances by Christopher Walken and Sam Rockwell and a superbly seedy set by Scott Pask
I’m not quite sure where to put three shows I’d seen before but were still high-water marks for 2010: Fela! (last year’s #1, which I saw twice again this year), Gatz (above, which made my top 10 in 2007), and the Wooster Group’s North Atlantic (the third revival, with a great new cast including Ari Fliakos, Kate Valk, Steve Cuiffo and Zachary Oberzan).
Miscellaneous highlights:
— William Kentridge’s dense and dazzling production of Shostakovich’s The Nose at the Metropolitan Opera and his equally theatrical retrospective at the Museum of Modern Art
— Norm Lewis singing “Being Alive” in Sondheim on Sondheim at the Roundabout
— Christine Jones’ set (above) and Michael Mayer’s direction for American Idiot
— Mark Rylance’s justly acclaimed performance in La Bete
— The Pee-Wee Herman Show on Broadway – sheer fun!
— Most Valuable Player (male): Scott Shepherd (above) for North Atlantic and Gatz
— Most Valuable Player (female): Bonnie Thunders, Gotham Girls Roller Derby (above)