Posts Tagged ‘roz chast’

In this week’s New Yorker

November 21, 2010

In the Thanksgiving-related Food Issue, Burkhard Bilger writes a fascinating long article about a culinary trend new to me, fermented foods. I was fascinated to see that the article centers on an old acquaintance of mine from ACT UP and Radical Faeries, Sandy Katz, author of “The Revolution Will Not Be Microwaved.” (Go, Sandy, aka Sanderkraut, aka Sandorfag!). Besides providing a glimpse of life at a pseudonymous Radical Faerie sanctuary in Tennessee, the article definitely speaks to my own sentiments about the silliness of modern-day germ-phobia:

“In the past decade, biologists have embarked on what they call the second human-genome project, aimed at identifying every bacterium associated with people. More than a thousand species have been found so far in our skin, stomach, mouth, guts, and other body parts. of those, only fifty or so are known to harm us, and they have been studied obsessively for more than a century. The rest are mostly new to science…Given how little we know about our inner ecology, carpet-bombing it might not always be the best idea. ‘I would put it very bluntly,’ [UMass Amherst biologist Lynn] Margulis told me. ‘When you advocate your soaps that say they kill all harmful bacteria, you are committing suicide.’ The bacteria in the gut can take up to four years to recover from a round of antibiotics, recent studies have found, and the steady assault of detergents, preservatives, chlorine, and other chemicals also takes its toll. The immune system builds up fewer antibodies in a sterile environment; the deadliest pathogens can grow more resistant to antibiotics; and innocent bystanders such as peanuts or gluten are more likely to provoke allergic reactions. All of which may explain why a number of studies have found that children raised on farms are less susceptible to allergies, asthma, and autoimmune diseases. The cleaner we are, it sometimes seems, the sicker we get.”

Bilger also bravely sits down for lunch with opportunivores, people who eat roadkill and do their grocery shopping by dumpster-diving. Yikes!

In Talk of the Town, Elizabeth Kolbert writes about the scary ignoramuses angling for power in the newly established Republican majority in Congress: “John Shimkus, of Illinois, is one of four members now vying for the chairmanship of the House Committee on Energy and Commerce. At a congressional hearing in 2009, he dismissed the dangers of climate change by quoting Genesis 8:22: ‘As long as the earth endures, seedtime and harvest, cold and heat, summer and winter, day and night will never cease.’ He added, ‘I believe that’s the infallible word of God, and that’s the way it’s going to be for His creation.’ ”

Aside from the fabulous Roz Chast cartoon (above), my favorite thing in this issue is this poem by Clive James:

“Whitman and the Moth”

Van Wyck Brooks tells us Whitman in old age
Sat by a pond in nothing but his hat,
Crowding his final notebooks page by page
With names of trees, birds, bugs, and things like that.

The war could never break him, though he’d seen
Horrors in hospitals to chill the soul.
But now, preserved, the Union had turned mean:
Evangelizing greed was in control.

Good reason to despair, yet grief was purged
By tracing how creation reigned supreme.
A pupa cracked, a butterfly emerged:
America, still unfolding from its dream.

Sometimes he rose and waded in the pond,
Soothing his aching feet in the sweet mud.
A moth he knew, of which he had grown fond,
Perched on his hand as if to draw his blood.

But they were joined by what each couldn’t do,
The meeting point where great art comes to pass —
Whitman, who danced and sang but never flew,
The moth, which had not written “Leaves of Grass,”

Composed a picture of the interchange
Between the mind and all that it transcends
Yet must stay near. No, there was nothing strange
In how he put his hand out to make friends

With such a fragile creature, soft as dust.
Feeling the pond cool as the light grew dim,
He blessed new life, though it had only just
Arrived in time to see the end of him.

In this week’s New Yorker

November 1, 2010

The high points include appreciations of two artists I love, Ntozake Shange and Elvis Costello.

Like me, Hilton Als had a life-changing experience seeing for colored girls who have considered suicide/when the rainbow is enuf on Broadway in 1997, and like me he’s dubious about Tyler Perry’s movie of it that’s opening any day now, starring Janet Jackson and Whoopi Goldberg. He delivers a lovely summation of that work and a quick skim of her subsequent 30 years’ worth of writing, along with some details of her personal life that I didn’t know (a string of suicide attempts, a bipolar diagnosis) and some that I did (sadly, she had a stroke six years ago that has left her seriously disabled).

Nick Paumgarten is also a big Elvis Costello nut and spent quite a bit of time hanging out with him and delivers an intriguingly detailed mid-career check-in.

Also: Roz Chast makes her writing debut this week with not one but two prose pieces — a Talk of the Town memorial tribute to her fellow cartoonist Leo Cullum, who died recently, and a Shouts and Murmurs rant on the ickiness of the banana. On the latter subject, Steve Martin and I respectfully disagree — like me, the other Man from Waco believes that the banana is one of nature’s most ingenious packaging triumphs.

In this week’s New Yorker…

October 15, 2010

A lot of good stuff, including Calvin Tompkins’ typically engrossing profile of L.A.-based artist John Baldessari and a suitably entertaining (and long) piece about Nick Denton and Gawker. The most important (and depressing) read, though, is Sean Wilentz’s well-reported if disheartening piece about Glenn Beck, the Tea Party, and their willingness to embrace the insane, paranoiac political philosophy of the John Birch Society, which I thought had been discredited long ago. My mind is reeling from this passage:

“In June, the congressman Bob Inglis, of South Carolina, a tough conservative who nonetheless backed Bush’s financial bailout, lost a vicious primary fight with a right-wing insurgent named Trey Gowdy. Tohis amazement, I…nglis was confronted on the campaign trail by voters whowere convinced that numbers on their Social Security cards indicatedthat a secret bank had bought them at birth.”

I did have a good laugh at least once reading the piece. Talking about Barry Goldwater’s run for president in 1964, it says:

“In the general election, though, Goldwater suffered a crushing loss to Lyndon Johnson, partly because Democrats succeeded in making him look like a captive of the loony right. (To the Goldwater slogan “In Your Heart, You Know He’s Right,” the Democrats shot back, “In Your Guts, You Know He’s Nuts.”)”

Balancing out the grim political news are a bunch of funny cartoons and an adorable cover by Roz Chast, entitled “Shelved.”

 

In this week’s New Yorker…

May 19, 2010

…I learned about two media celebrities I’ve never encountered and would be happy to remain unacquainted with: Fox News blowhard Andrew Breitbart (cannily eviscerated by the ever-sharp Rebecca Mead) and Chelsea Handler, who somehow has managed to sell out two shows at Radio City Music Hall.

And then there’s this Drew Dernavich cartoon:
And this from Roz Chast:

From this week’s New Yorker

April 25, 2010

I have to confess that I’ve never read anything by Saul Bellow, so I wasn’t the prime audience for the selection of his letters, but I was fascinated to perceive that most of them were apologies.

Also fascinating: in his Critic-at-Large piece on Tyler Perry, Hilton Als notes that 40-year-old Perry (the writer/director/creator of the Madea movies) is “the most financially successful black man the American film industry has ever known.”

And the usual funny stuff, including a Talk of the Town sidebar by Billy Kimball entitled “Least Common Complaints About the New iPad” (my favorites: “Strange odor coming from husband while using iPad,” “The iBookstore ichthyology section includes almost nothing on lampreys,” and “Insufficient media coverage”) and a great Roz Chast cartoon: