Posts Tagged ‘luke mogelson’

Quote of the day: UGLY TRUTHS

October 20, 2022

UGLY TRUTHS

Why has the big lie stuck? Maybe it’s because Donald Trump made it appear more plausible by attaching it to a truth. And that truth, for the blue-collar white men among his base, is a powerful sense of loss, suggested by the last word in the slogan Make America Great Again. Red and blue states increasingly represent two economies, with Republicans turning more toward agriculture, extraction and manufacturing, and Democrats toward high-tech and professional services. The gap between them is widening: Between 2008 and 2018, the nation’s Democratic congressional districts saw median household income rise to $61,000 from $54,000, while incomes in Republican districts fell to $53,000 from $55,000. They have suffered other losses too; white men living in Republican counties have higher death rates than white men living in Democratic counties, and the gap between those rates increased more than sixfold from 2001 to 2019. Poor rural white Americans also report less optimism about the future than do equally poor Black or Hispanic ones.

From “loss” Trump has moved the emotional needle to “stolen.” The right to work and remain maskless during a pandemic, stolen. Story of heroic America, stolen. Statues, stolen. Culture, stolen. White power, stolen. Old-time manhood, stolen. Election, stolen. With “stolen,” as opposed to the more circumstantial “loss,” it’s much easier to assign blame. For the stolen election: the deep state, RINOs, Democrats. For stolen white livelihoods: China, immigrants, minorities. And one thing more, many MAGA enthusiasts say to themselves: Donald Trump will save us. The Democrats are preventing Trump from saving us. He is being stolen from us. And Trump has moved the needle from “stolen” to “steal me back”….

Whether a grievance, or a promise, is based on fact can come to feel beside the point. A former coal miner in an Appalachian county where 80 percent voted for Trump in 2020 told me he had recently gotten back on his feet after losing his job and falling into drugs. “When Donald Trump came to town in 2016, he told us he was going to bring back coal,” he said. “I knew Trump was telling me a lie. But I felt like he saw who I was.” The storm is here, Mogelson’s important book warns us, in the threat of public violence and at the ballot box. It’s here because a loss has for too long gone unrecognized, and because a lie that ties itself to this loss can feel more compelling to some than a truth that ignores it.

–Arlie Russell Hochschild, reviewing Luke Mogelson’s The Storm Is Here in the New York Times Book Review

In this week’s New Yorker

April 26, 2013

Another week of exemplary reporting. Editor-in-chief David Remnick literally overnight called on his years of experience reporting from Russia to post on the magazine’s website his amazingly thorough, thoughtful, deep Talk of the Town piece on the Tsarnaev brothers and the Chechen culture they came from.

With his typically tenacious reporting and dry-eyed scrutiny, William Finnegan reports (“The Deportation Machine”) the horrific story of Mark Lyttle, a 35-year-old biracial mentally ill American citizen from North Carolina, who  — through a series of bureaucratic mishaps that even Kafka might have considered far-fetched — was deported, shoved across the Mexican border with three dollars in his pocket, and forced to spend four months wandering (sometimes on foot) through Central America until the American Embassy in Guatemala contacted his family and sent him home. Except that he was arrested at the airport in Atlanta under the assumption that his newly issued passport was a fake.

Then there’s Luke Mogelson’s “Letter from Aleppo,” a soul-wrenching dispatch from the bloody midst of Syria’s raggedy civil war. Mogelson’s piece focuses on the people who have assumed the task of burying the corpses that get pulled out of the River Queiq that runs through Syria’s largest city (234 in recent months) and the heavily-traveled bridge on which Syrian Army snipers shoot commuters “in order to bait rebel fighters and would-be rescuers,” except that most of the victims turn out to be women, children, and old men who can’t run fast enough to escape.

I confess that after reading Finnegan’s and Mogelson’s pieces, I was relieved to turn the page and read Ian Parker’s profile of filmmaker Noah Baumbach.

Also in the issue: excellent piece about writing by echt New Yorker staffer John McPhee, who makes a case for the dictionary being a writer’s best friend; a portfolio of pieces (including “Onlookers,” below) by photographer Roger Ballen, whose images fueled Die Antwood’s stunning music video “I Fink U Freeky”; and a column in the Current Cinema department that reminds me that the way to brighten anyone’s day is to read aloud Anthony Lane’s movie reviews out loud.

bollen onlookers

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