ICELAND
In thinking about Iceland, one is always whipsawed between two facts. On the one hand, there’s the tiny scale of the place. There are only three hundred thousand-plus people in the country, and a Presidential election, even though it gets a huge, Nordic-style turnout, will still top out at about two hundred and forty thousand voters, about one-third the number in a single congressional district in New York City. One might read that, as a proportion of the population, more Icelanders died in the Second World War than Americans did, which means two hundred and thirty, most of them in seafaring accidents. “Icelanders suffer from ecstatic numerical aphasia” is the way that Heiða Helgadóttir, a prominent alternative politician, put it one morning, over milky coffee, the country’s vin ordinaire. “We are convinced that we come from a country of at least two or three million, and nothing dissuades us.” On the other hand, Iceland is an honest-to-God country, not a principality, like Monaco, or a fragment fallen off a larger one, like Montenegro. It has a language and a history and a culture entirely its own, it fields competitive teams in international football tournaments, and it can claim about as many famous artists—Björk, Sigur Rós—as its far larger Nordic peers.
–Adam Gopnik, “Cool Runnings,” The New Yorker
newly elected president Guðni Jóhannesson (illustration by Jasu Hu)
another eye opens 