Photo diary: January 2017, Colorado (part 1 — la famiglia)

February 6, 2017

(click photos to enlarge)

My middle sister, Barbara, turned 60 on New Year’s Day, so we flew to Colorado to celebrate with her and to meet the newest members of the family: my niece Jeri’s daughter Kyla, who was born the day after her brother Kody turned 21, and my youngest sister Joanne’s fiancé Richard, who is such a cannabis devotee that they’re planning to get married at Bongathon this summer. The birthday celebration was hosted by Barbara’s younger daughter Carlee and her fiance Michael, who has a super-smart and super-cute 9-year-old son named Josh, and also attended by Jeri and Carlee’s brother Adam, his girlfriend Jamie, and his son Brent, as well as my older sister Marianne, who flew in from Maine. Richard and Michael watched the football game while some of us took the dogs (Molly and Mia) for a walk. The next day there was a family photo shoot at a studio in the nearby mall operated by a friendly pair of African-American guys, and then I packed my sisters into the car for a drive up to Boulder where we had late-afternoon tea at the Dunshanbe Teahouse, which was designed and created by over 40 artisans in Tajikistan who then took it apart, crated it up, shipped it, and then flew to Boulder to reassemble it in 1990.

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Quote of the day: ANGER

February 6, 2017

ANGER

When I was angry,
I kept asking how
anger works.
No one understood

my question.
Friends thought I was joking.
Or being obtuse.
Friends would say: What

do you mean
how anger works
Anger is anger. What
are you asking.

And I would say:
Well. Is anger
a finite
material.

Is anger like hydrogen,
and there’s simply
a certain amount
of it in the universe.

Is there a zero sum
of anger, a law
of the conservation
of anger,

and can we
pass it back
and forth.

Can you take my anger
and leave me less?
Can I take your anger
and then have more?

Is anger a renewable
resource, like trees
or coral reef, subject
to natural rhythms

and mass die offs,
forest fires,
and warming tides,
cycles of growth and depletion.

Is anger something
you spend like money,
that you save or spend
and is gone as it goes,

or something that
is replenished like ejaculate,
more on the way
as soon as you send some off

or is anger like ova,
each egg coming
on its own schedule,
until they run out.

Is anger like pus,
a response to a wound,
that you can drain,
or that you can heal,

Or is anger like a gas
you can vent
so it won’t explode
the tiny vessel

or is anger like water
that will explode
the water balloon
unless you tie it off

at the right time.
I thought someone
had to know
the answer

because I was consumed
by anger,
it was under
everything I did

I felt it all the time,
all the time,
and it never
departed.

I didn’t have a breakdown,
though I asked friends
if what I was experiencing
was a breakdown (no,

they said, a breakdown
looks only
like a breakdown), and
I looked OK,

but no one knew
how to help me,
and I told a friend
that I wasn’t OK

and she told me
that I was OK,
but the anger was there
all the time,

like a pair of shoes
that were always
between me
and the ground I walked on,

and I kept asking everyone
how anger works:
Can you drain it?
Can you vent it?

Can you stop it?
Can you heal it?
Can you trade it?
Can you sell it?

And no one,
no one, no one,
no one knew
what I was asking

until finally
someone asked me
to describe
what I was feeling,

and she said
you’re not talking
about anger
you’re talking about rage,

and I realized
that I’ve never
experienced anger.
I only know rage.

Which helped a lot.
Which explained why
I could only think
about striking out

and then not strike out.
Which explained why
I knew which plants
in my garden could be made

into poisons, and how.
Which explained
why my daydreams
turned into

elaborate fantasies
about harming people,
until I did the things
I imagined to myself,

and listen, please listen,
I knew it was bad,
and I wanted out, but
I couldn’t write

my way out of it,
and I couldn’t think
my way out of it,
and I couldn’t love

my way out of it,
and I couldn’t read
my way out of it,
and I thought I would live

with it forever,
that I would contain
it at whatever price
I had to pay,

and I’m telling you this,
and I need you to listen,
because I’m saying
that I do understand

what it’s like to want
everyone else to suffer
as much as you
are suffering,

and I understand
what it’s like
to want to die
both to contain

the pain of rage,
and to spread
the pain of rage,
and when you read

of this murder or
that bombing, know,
these killers are not
inhuman or monstrous,

but rather that they
are weak vessels for rage,
that they are balloons
that burst with their rage,

that they are pipe bombs made
of flesh and bone,
and peace is what I want
more than anything else,

but peace is so fragile,
so easy to take, so easy
to lose, and so they take it
from you, to feel less alone,

and I’m out of it now
because I thought
I had done it to myself,
but I didn’t. And I see

that now. I’m closer
to peace. I’m further
from rage. I’m a bomb
no longer ticking,

but I was a bomb.
Hold me tight.
I was a bomb.
Hold me tight.

–Jason Schneiderman

jason-schneiderman


Quote of the day: TRUMP CULTURE

January 8, 2017

TRUMP CULTURE

The most frightening aspect of the looming Donald Trump presidency is not so much the likely outcomes, many of which are horrifying, as the unlikely ones. Running the federal government of the world’s most powerful country is hard, and many things can go wrong. Full control of government is about to pass into the hands of a party that, when it last had it, left the economy and the world in a shambles. These disasters occurred because the party’s ideological extremism made it unequipped to make pragmatic choices, and because its chief executive was a mental lightweight. Sixteen years after it last came to power, the party has grown far more ideologically extreme, and its head of state is much less competent. Many of the tail risks of an extremist party led by an unqualified president are difficult to foresee in advance. But one is especially glaring: the appointment of Michael Flynn (below right, with staffers K.T. McFarland and Michael Flynn Jr.) to be national security adviser…

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Flynn’s portrait seems to reflect the worst qualities of Dick Cheney, but in exaggerated form. Flynn avidly subscribes to conspiracy theories. He believes Islamists have infiltrated the Mexican border en masse, guided along the way by Arabic-language signs Flynn claims to have seen himself. He also believes that Democrats have imposed Sharia law in parts of Florida, and shared a now-deleted tweet that suggested Hillary Clinton could have been involved in child sex trafficking. These claims were frequent enough that his subordinates at the Defense Intelligence Agency gave them a name, “Flynn facts,” which means a Flynn belief that is the opposite of a fact.

It is almost impossible to overstate the danger to American national security posed by the combination of Flynn and his staff. Because his appointment is not subject to Senate confirmation, and also because it has been overshadowed by the Rex Tillerson nomination and its connection to the fast-moving Russia story, Flynn has receded from the front pages. His appointment is unprecedented, like so many other other things Trump has done — indeed, the endless violations of precedent are what make Trump’s election so surreal, and its dangers difficult to order.

But it is the specific, mutually reinforcing characteristics of Flynn and his staff that invite the most alarm. He is a conspiracy theorist averse to any challenge to his suspicions, surrounding himself with a staff of fellow conspiracy theorists seemingly designed to shut out any challenge to his biases, providing advice to a novice president who is himself a conspiracy theorist. It’s under-informed, overconfident crackpots all the way down. As a comedic script, it would defy plausibility. Except there’s a terrifying chance that a lot of innocent people will die as a result.

Jonathan Chait, New York Magazine


Culture Vulture: Year in Review

December 27, 2016

TOP THEATER:

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  1. Notes from the Field – Anna Deveare Smith’s latest triumph in channeling the zeitgeist focuses on education, the school-to-prison pipeline, and the killings by police of black men, zeroing in on exactly what we need to be thinking and talking about. Smith (above) gives voice to an astonishing array of characters (including Congressman John Lewis) with precision and extreme down-to-earth humanity in a way that arrives at hope and inspiration. I wish this show were broadcast on TV for everyone to see every week for the next year.

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  1. Kings of WarFlemish director Ivo van Hove, one of the great theater artists of our time, brought his virtuosic Toneelgroep Amsterdam to BAM to perform this wildly ambitious 4 ½ hour mashup of six Shakespeare histories (from Henry IV to Richard III) in Dutch with English surtitles. The breathtaking inventiveness of Jan Versweyveld’s multimedia design made these political dramas excruciatingly immediate. A countertenor, four brass players, and a DJ provided strange and beautiful underscoring, and Hans Kesting gave an unforgettable performance as Richard III as a demonic wounded monarch cocooned in the mirrored chamber of his power-madness.david-hyde-pierce-in-a-life-joan-marcus
  2. A Life – Adam Bock never fails to impress me with his gift for character, language, humor, soulful reflection of contemporary life, and most of all the extraordinary freedom he takes to shape his narratives in theatrically surprising ways. He outdid himself with this show at Playwrights Horizons, which occasioned a low-key yet astonishing performance by David Hyde Pierce (above), with a uniformly excellent supporting cast well-directed by Anne Kauffman on an ingenious Laura Jellinek set.

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  1. The Encounter – Simon McBurney conceived, directed, and performed this fascinating experiment in theater-via-headphones (on Broadway!) depicting an American photographer’s adventures with South American shamanism, similar to the terrific Colombian film Embrace of the Serpent.
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  2. YOUARENOWHERE – former Wooster Group associate Andrew Schneider (above) and a cutting-edge tech-savvy design team created this dazzling mindfuck of a performance piece at 3-Legged Dog.

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  1. A 24-Decade History of Popular Music – Generosity of spirit, woke politics, musical chops, and playful theatrical nerve made queer genius Taylor Mac’s epic vision a delight-filled call to arms, with peerless costume-design-as-gesamtkunstwerk by Machine Dazzle and music direction by Matt Ray.
  2. Steve – Mark Gerrard’s script captured the intersection of sex, relationships, and social media in gay life today to a T. Cynthia Nixon directed a fine cast for the New Group, but Matt McGrath’s performance dove several layers deeper than almost any I saw this year.
  3. The Crucible – I didn’t think I needed to see another production of Arthur Miller’s classic again but damned if Ivo van Hove didn’t find a dozen ways to make it a stark and terrifying reflection of today’s chilling political climate, with another mind-boggling design by Jan Versweyveld and a cast mixing terrific Brits (Ben Whishaw, Sophie Okonedo, Saoirse Ronan) with great downtown actors not usually seen on Broadway (Bill Camp, Jason Butler Harner, Thomas Jay Ryan, Brenda Wehle, Teagle Bougere).
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  4. portrait of myself as my father – Nora Chipaumire’s exploration of black African masculinity is set in a boxing ring. But the costumes, the gestures, the masks, the soundscore, and the movement pile onto the boxing metaphor numerous other frameworks: hiphop concert, voodoo ritual, club performance, shamanic trance ceremony, and Wooster Group-style mediated theater. The three performers (Shamar Watt, NC, and Pape Ibrahima Ndiaye, above) push themselves to extremes of physical ability, gender identification, and cultural cross-reference.
  1. Dear Evan HansenSteven Levenson’s morally complicated book, Pasek & Paul’s tuneful score, Michael Greif’s staging, and the lead performances by Ben Platt and Laura Dreyfuss made this the most substantial original musical of the year.

Some Other Goodies: the Encores production of Sunday in the Park with George, especially Annaleigh Ashford and Phylicia Rashad; Benjamin Walker’s central performance and Duncan Sheik’s ‘80s-techno score for American Psycho; the Canadian dance company Holy Body Tattoo’s revival of Monumental with poetic texts by Jenny Holzer and a brooding/squalling score performed live by Godspeed You! Black Emperor; Charlayne Woodard in Branden Jacobs-Jenkin’s War at LCT3; Kiki and Herb at Joe’s Pub (below).

kiki-and-herb-cropped

Some Great Music: Ego Death by The Internet, Bowie’s Blackstar, Leonard Cohen’s You Want It Darker, Black Noise by Pantha du Prince, multiple Mixcloud playlists compiled by Nick Francis (Quiet Music), lowlightmixes, and Halftribe.

arrival
Some Great Films:
Moonlight, Manchester by the Sea, Tangerine, Arrival (above), April & the Extraordinary World.


Quote of the day: POLITICAL EFFECTIVENESS

December 5, 2016

POLITICAL EFFECTIVENESS

The NRA, to my knowledge, has never held a mass demonstration or march. You know why? Because, like all the most effective lobbies in this country, it focuses on just 535 human beings called senators and representatives. That’s where its efforts begin and end. The NRA knows everything about these politicians: who funds them, what primary challenger they’re most afraid of, who their doctor is, who their lawyer is, who they play golf with, what their personality and character weaknesses are, whether they are susceptible to flattery and like to be taken on junkets. That’s why the NRA is so powerful. Add to that the NRA’s political action committee, which rewards obeisant public servants on Capitol Hill with campaign contributions. And the NRA knows how to punish, too. If a politician stands up to the NRA, it will back a candidate in a primary to try to beat him or her. Members of Congress are afraid of people who are extremely energetic on a single issue. That’s the secret.

Activists usually hold mass rallies against war or climate change in Washington, D.C., on a weekend, when members of Congress aren’t there. All this energy that it takes to put together a rally sort of goes up into the ether. The event doesn’t get that much coverage either, because there are not as many reporters working on the weekend. The activists don’t take up a collection at the rally and raise money to open an office with four full-time employees. With two hundred thousand people, you can quickly raise enough to pay four people’s salaries for a year. Then, when the members of Congress came back on a weekday, they would find more than just a bunch of crushed cups and soda cans on the Mall. They would find four full-time advocates who are connected with a lot more people.

We have to be smarter in the way we lobby. I always say, “Don’t just hope that the government will hear you. Summon the senators and representatives to your town meetings.” We are the sovereign people, and we have to make our hired hands in Congress come to our events and do their homework on the issues. Then we’re up there on the stage, and they are in the audience with their staff. Why don’t more people do that? It’s so much fun to make these politicians squirm.

Ralph Nader, interviewed in The Sun
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