Theater review: IN THE WAKE

November 4, 2010


My review of Lisa Kron’s IN THE WAKE has just been published on CultureVulture.net. I liked the play a lot.

“It’s stuffed with so many ideas about so many subjects that you can’t believe the author can pull it off, and yet she does, with the help of an able cast smartly directed by Leigh Silverman.

It helps that Kron situates her play in the midst of hyperarticulate characters who feast on ideas, starting with Ellen, a writer and political junkie (played by Marin Ireland) who opens the show with a howl of outrage: ‘I cannot believe the ruthlessness of the Republicans!’ It’s Thanksgiving 2000, and the as-yet unsettled presidential race between Gore and Bush clouds the dinner party assembling in Ellen’s living room: her schoolteacher boyfriend, Danny (Michael Chernus), his sister Kayla (Susan Pourfar) and her wife, Laurie (Danielle Skraastad), who live downstairs, and Ellen’s old friend Judy (Deidre O’Connell), an older woman who does humanitarian relief work in Africa and is on her way to her mother’s funeral in Kentucky.

You may think you know what’s going to come out of these characters’ mouths as they hurtle through Bush’s inauguration, 9/11, the invasion of Iraq, and W’s re-election. Trust me — you don’t. Kron spares us generic characters spouting pre-digested social commentary safely distributed along the political spectrum.”

You can read the complete review online here.


Good stuff online: IT GETS BETTER

November 4, 2010


It’s hard not to admire every one of the zillions of “It Gets Better” videos that have been created in response to the rash of suicides by kids who’ve been bullied and bashed for being gay or just different but the best one I’ve seen so far is this one by the Broadway theater community. Instigated by the [title of show] wunderkinder Heidi Blickenstiff, Hunter Bell, and Susan Blackwell, it’s simple and smart. You would think it’s easy for Broadway actors and theater people to come out and be open but really? It’s never happened before on this scale.

Bryan Batt, Charles Busch, Kevin Chamberlain, Wilson Cruz, Saidah Arrika Ekulona, Joanna Gleason, Judy Gold, Robyn Goodman and Anna Louizos, Cherry Jones (top of post), Moisés Kaufman, Zoe Kazan, Nathan Lane, Tyler Maynard, Audra McDonald, Michael McElroy, Terrence McNally and Tom Kirdahy (above), Lin-Manuel Miranda, Jerry Mitchell, Julia Murney, Denis O’Hare, Karen Olivo, Anika Noni Rose, Seth Rudetsky, Marc Shaiman and Scott Wittman, Christopher Sieber, John Tartaglia, and  Lucy Thurber are just some of the people who show up in the video. It’s 12 minutes long and takes a while to load, but definitely worth watching. Get out your Kleenex. I like that it’s not just platitudes about how tough it was and it’ll get better. They also point out that what made you different as a kid makes you exceptional as an adult. They urge adults to teach acceptance, kindness, and respect. And they talk about what they lived to accomplish and what made it worth hanging in there for. Denis O’Hare (below) says, “I’m skinnier and better-looking than anyone I went to high school with.”


Quote of the day: YOU

November 4, 2010

YOU

You want everything. Like those who have always been happy.

— Therese Raquin (Simone Signoret in the 1953 movie based on Emile Zola’s novel)


Photo diary: the week in people

November 3, 2010

Simon the Brit

Will and Andy at Vynl in Chelsea

Keith at MOMA

Bronx Gridlock, the champions at Gotham Girls Roller Derby's final match of the season

Suzy Hotrod, retiring star jammer for Queens of Pain (she's got guns!)

Mathew and Randall after the Cedar Lake Ballet concert at the Joyce


Culture Vulture: Cedar Lake Contemporary Ballet at the Joyce

November 1, 2010

I’ve been hearing about Cedar Lake Contemporary Ballet for a couple of years from a friend of Andy’s who is the company’s costume manager, but I’d never seen them before. My review of their current season at the Joyce — well, one of two programs they’re performing anyway — has just been posted on CultureVulture.net.

Cedar Lake Contemporary Ballet in Alexander Ekman's "Hubbub"

“The strength of the company is its athletic vigor, which showed up best in Program A’s opening piece, Jo Stromgren’s “Sunday, Again,” and not just because the dance revolved around a sort of deconstructed badminton game. The bent racquet, the net without poles, and the shuttlecocks turned out to be metaphors for what the choreographer’s program note calls “the domestic jungle of luxury problems and gender frictions.” Fortunately, the metaphor didn’t get banged on too heavily — really, the duet-heavy 35-minute piece was mainly going for the cavalier brusqueness and brutal casualness of couples who’ve been together long enough to get on each other’s nerves over the slightest pretext. Set to three Bach pieces, the dancing is fast and fierce, and the standard is set right away with a killer duet between Jason Kittelberger and Acacia Schachte full of limbless lifts and daredevil jumps.”

You can read the review in its entirety here.