Archive for the 'quote of the day' Category

Quote of the day: VINYL

February 11, 2015

VINYL

The first record I bought with my savings was Discovery by Electric Light Orchestra, from 1979. I bought it at Sears. I still remember the cover, the jacket with the lyrics on it, and the picture of the Arab boy running away from thieves after stealing the ELO flying saucer. But other senses also intervened: the smell, cellophane’s aroma, the texture of cardboard, paper, and vinyl. The secret of vinyl records lies in the senses, in the way we related with the object and its art. The touch which, as I remember, as a young boy having slept with a 45 RPM containing the musical tale of Peter and the Wolf between my hands. The feeling that the story was mine as many times as I wanted and with the magic of a wonderful box that extracted all its secrets, and which my alchemist father knew how to operate as many times as I asked. We enjoy our mother’s voice and the comforting feeling of sucking on our thumb since the moment we are inside the womb. The same thing happens with the right size of the 33RPM record. The covers, the concept could be admired as contemporary art pieces, thanks to the fact that Alex Steinweiss turned, in 1938, into the father of this concept by adding light and color to the boring and almost anonymous packages.

–Iñaki Manero

Quote of the day: LAUGHTER

February 8, 2015

LAUGHTER

“My Father Laughing in the Chicago Theater”

His heavy body would double itself forward
At the waist, swell, and come heaving around
To slam at his seatback, making the screws groan
And squawk down half the row as it went tilting
Under my mother and me, under whoever
Was out of luck on the other side of him.
Like a boxer slipping punches, he’d lift his elbows
To flail and jerk, and his wide-open mouth
Would boom out four deep haaa’s to the end of his breath.

He was laughing at Burns and Allen or Jack Benny
In person or at his limitless engagement
With Groucho, Chico, and Harpo. While my mother
Sat there between us, gazing at the stage
And chuckling placidly, I watched with amazement
The spectacle of a helpless father, unmanned,
Disarmed by laughter. The tears would dribble
From under his bifocals, as real as sweat.
He would gape and gag, go limp, and spring back to life.

I would laugh too, but partly at him, afraid
Of becoming him. He could scowl anywhere,
Be solemn or blank in church or going to work,
Turn grim with a cold chisel, or he could smile
At babies or football games, but he only laughed
There in that theater. And up the aisle
And through the lobby to the parking lot
And all the way home, I’d see the glow on his cheeks
Fade to the usual hectic steelmill sunburn.

–David Wagoner

david wagoner poet

Quote of the day: GENIUS

January 22, 2015

GENIUS

The way Wayne Shorter works is the difference between a genius and a talent. The talent will come in, a great player. He’ll listen to my music, he’ll write out the chord changes, he’ll notice how weird they are and he’ll go, “Oh, this is deceptively simple.” Then he’ll figure out a part. He’ll play it. The first time, it’ll be a little rough. The second time, it’ll be better. The third time, he’s not gonna deviate. You’ll get up to take four, and I’ll ask him for take five, thinking maybe he’ll put a variation on it, but he won’t. He’s got his part, he’s done it, and he’s giving you a dirty look like, “Don’t you have it already?”

A talent is pretty good to work with.

A genius like Wayne is always exploring, so he’s gonna be more inconsistent. He’s gonna be all over the place. Because he’s going into new territory. The great things nearly always come on the edge of an error. What comes after the error is spectacular. So if you are hung up on the error, you missed the magic.

Joni Mitchell In Her Own Words (interviewed by Malka Marom)

joni mitchell wayne shorter

Quote of the day: JONI

January 20, 2015

JONI

Miles Davis taught me how to sing. More and more I’m beginning to show what he taught me – pure straight tones holding straight lines. The feeling when you sing and you open up your heart. If you just try to remember to keep your heart open, it produces a warmer tone than if you really think you’re hot shit, because the tone is going to get cold then. That’s the thing. You can be so flashy and incredible, there’s a certain beauty that comes out of that too, but not out of arrogance…warmth is not gonna come out of it, you know. I always kept Miles and his music, especially at a certain period, a lyrical period, in the area of music that I would play for myself but never thought of it as attainable. And now I’m playing with most of the players who made up that music.

–Joni Mitchell in 1978

miles by joni

Quote of the day: MEDIA TECHNOLOGY

January 18, 2015

Amid the bacchanal of disruption, let us pause to honor the disrupted. The streets of American cities are haunted by the ghosts of bookstores and record stores, which have been destroyed by the greatest thugs in the history of the culture industry. Writers hover between a decent poverty and an indecent one; they are expected to render the fruits of their labors for little and even for nothing, and all the miracles of electronic dissemination somehow do not suffice for compensation, either of the fiscal or the spiritual kind. Everybody talks frantically about media, a second-order subject if ever there was one, as content disappears into “content.” What does the understanding of media contribute to the understanding of life? Journalistic institutions slowly transform themselves into silent sweatshops in which words cannot wait for thoughts, and first responses are promoted into best responses, and patience is a professional liability. As the frequency of expression grows, the force of expression diminishes: Digital expectations of alacrity and terseness confer the highest prestige upon the twittering cacophony of one-liners and promotional announcements. It was always the case that all things must pass, but this is ridiculous.

— Leon Wieseltier, “Among the Disrupted,” New York Times Book Review

disruption illo joon mo kang