Archive for the 'Photo diary' Category

Photo diary: more Bergdorf detail

December 24, 2011






Photo diary: Brooklyn Night Bazaar (12/17/11)

December 20, 2011

My friend Jonathan Lerner, a former New Yorker recently returned from exile and therefore acutely attuned to goings on around town, invited me to join him in checking out Brooklyn Night Bazaar, a holiday market at a warehouse space in Williamsburg. Walking from the Bedford Avenue subway stop occasioned a spirited conversation between writers about the word "hipster," its snark valence, and whether its use is automatically ironic or generational.

It was indeed a kind of hip-and-groovy expo: wall-to-wall vendors displaying everything from hi/lo-tech artwork...

...to vintage manual typewriters...

...lots of handmade jewelry...

...friendly people in great outfits like Carlos-Ameen Jureidini-Cully, whose company Yakblak sells vintage eyeglasses (many of them from a gigantic stash from Cuba)...

...along with the occasional reiki parlor (above) and socio-political champions (Sex Workers Project, Clean Plates).

Then there was the molto Williamsburgian food court, where we sampled bite-sized Korean sandwiches (bland), drank good local lager, and shared a yummy fried pear sandwich prepared by the vivacious Ella Nemcova, executive chef of The Regal Vegan.

Other goodies that looked delicious but we didn't try included these artisanal pastries...

...and Chris Forbes' Sour Puss Pickles.

Photo diary: reasons to love New York

December 13, 2011

Bergdorf men's store

Andy's let his beard fill in

movie shoot trailer on 56th Street

East Village

when did this monument to Andy Warhol go up in Union Square (former site of The Factory)???

Photo diary: Bergdorf windows

December 12, 2011


The holiday windows are up at Bergdorf Goodman, and as usual they are spectacular. In the women’s wear building, the theme is “Carnival of the Animals.”




As you can see, the level of detail is insane, as usual, and insanely beautiful.




Photo diary: OCCUPY BROADWAY

December 4, 2011

Theater-world supporters of Occupy Wall Street conceived and executed a 24-hour performance/ action that began Friday December 2 at 6 pm and ran continuously until the same hour Saturday December 3.


The action took place in the open area between 50th and 51st Streets on Broadway, which had been dubbed the People’s Performance Plaza for the occasion I showed up in time to catch the last half-hour. When I arrived, an a cappella chorus of rather good singers was belting out a song on the theme of “We Are the 99 PerCent.” They were apparently the last in a long string of music, dance, and spoken-word performances that played to anywhere from a couple of dozen (in the middle of the chilly night) to a several hundred (during the day).


A well-spoken young woman in a long red dress seemed to be facilitating things at this point, and she invited the crowd to form a circle around the plaza holding hands. She said there had been a request for some chanting. Spontaneously, someone called out “All night, all day/Occupy Broadway!” We all chanted that for a while, and the tall guy next to me improvised a Rockette-style kick to go with it, which the entire circle adopted. Then there were a few minutes of “Our movement is unstoppable!/Another world is possible!”


If you’ve ever tuned in to the OWS Livestream and wondered how it’s done, here’s how it works — this dude with his laptop and webcam strolling through the crowd.


Next Red Dress Lady proposed that we break up into small groups and have a conversation about our experience with Occupy Broadway. My group consisted of Patrick, a longtime Occupier whose group Gravity performed at 1:00 AM; two Chinese-American brothers, Kevin and James; and a woman named Rebecca. People who only know of Occupy Wall Street from reading or watching news accounts of clashes with police might be surprised at how intimate and communal these actions are. Call it new age-y or call it civilized, it prompts strangers to talk to each other, on whatever shallow or deep level they choose. The diversity of OWS supporters delights me — from Radical Faeries (above) to multiple people in motorized wheelchairs (below).


And of course this is New York City, this is the theater district, so there is the cosmic absurdity of this action taking place across the street from the Winter Garden, with Mamma Mia! bestowing her Abba-fied blessing.