Photo diary

March 24, 2012


I love the strange ugly beauty of tulips as they molt and fall apart.


In this week’s New Yorker

March 23, 2012

The Style Issue features several articles that reveal in great, sometimes disheartening detail how things are made these days:

* John Seabrook’s closely observed story about Ester Dean and the phenomenon of “top-liners,” the people who create the semi-coherent, fragmented, not-quite-lyrics that accompany hit singles these days…and make beaucoup bucks at it;

* Jonah Lehrer’s entertaining profile of Roger Thomas, in-house designer for Steve Wynn’s over-the-top Vegas hotels, whose obscenely luxurious decor apparently boost casino income exponentially;

* Ian Parker’s preview (“Expletive Not Deleted”) of the forthcoming HBO comedy series “Veep,” whose British show-runner Armando Iannucci apparently keeps a stable of writers onhand who specialize in supplying high-volume zesty swearing for his hit shows (such as the BBC’s “The Thick of It”). The series stars Julia Louis-Dreyfus as the vice president who refers to her bumbling staff as “the Keystone Cunts” and in one scene is heard to say, “Well, God bless the President. he is really a great man. but he is busting my fucking lady balls here.”

Another highlight is the latest of Paul Rudnick’s laugh-out-loud Shouts and Murmurs pieces, this one a take-off on recent books touting the superiority of French women in all things. “To maintain my figure, I eat only half portions of any food, always arranging it on my plate in the shape of a semicolon. For exercise, at least once a day I approach a total stranger and slap him. And late each afternoon I read a paragraph of any work of acclaimed American literary fiction, which makes me vomit.”

Speaking of fiction, there’s also a story by Antonya Nelson, “Chapter Two,” that trafficks in the misrepresentation of what AA meetings are like, with what has become a fiction cliche, the supposedly sober character who drinks on her way to and from meetings. Yawn. It’s been done.


Photo diary: Rally in Union Square in support of justice for Trayvon Martin

March 22, 2012



The murder of 17-year-old Trayvon Martin by a self-appointed neighborhood watchman in Sanford, FL (a suburb of Orlando), has touched a lot of Americans, including the couple of thousand New Yorkers who showed up in Union Square as part of the national Million Hoodie March demanding that the killer, George Zimmerman, be brought to justice. The speakers at the rally included Trayvon’s parents, Tracy Martin and Sybrina Fulton (below). They spoke briefly and received a communal laying on of hands.



One of the other speakers enumerated some of the outrageous facts of the case — that the police who arrived at the scene ran a background check on the victim, not on the shooter, and ran a drug-and-alcohol test on the victim, not on the shooter. If the victim had been white and the shooter had been black, would the police have questioned the killer for an hour and then let him go home? That was one of a string of rhetorical questions the speaker posed to the crowd. Another, alluding to Sanford Police Chief Bill Lee, was “What do you do when your employer won’t do his job?” Someone yelled out, “Execute him!” which caused the people around me to both gasp and chuckle in disbelief. The woman standing next to me and I exchanged bemused looks. “Wrong answer,” she said.


Theater review: ONCE

March 21, 2012

Steve Kazee and Cristin Milioti (with Anne L. Nathan) in ONCE

My review of the new Broadway musical Once has been posted on CultureVulture.net. Check it out here and let me know what you think. I loved the show and highly recommend it.


Quote of the day: MORAL NARRATIVE

March 18, 2012

MORAL NARRATIVE

The Notre Dame sociologist Christian Smith once summarized the moral narrative told by the American left like this: “Once upon a time, the vast majority” of people suffered in societies that were “unjust, unhealthy, repressive and oppressive.” These societies were “reprehensible because of their deep-rooted inequality, exploitation and irrational traditionalism — all of which made life very unfair, unpleasant and short. But the noble human aspiration for autonomy, equality and prosperity struggled mightily against the forces of misery and oppression and eventually succeeded in establishing modern, liberal, democratic, capitalist, welfare societies.” Despite our progress, “there is much work to be done to dismantle the powerful vestiges of inequality, exploitation and repression.” This struggle, as Smith put it, “is the one mission truly worth dedicating one’s life to achieving.”

This is a heroic liberation narrative. For the American left, African-Americans, women and other victimized groups are the sacred objects at the center of the story. As liberals circle around these groups, they bond together and gain a sense of righteous common purpose.

Contrast that narrative with one that Ronald Reagan developed in the 1970s and ’80s for conservatism. The clinical psychologist Drew Westen summarized the Reagan narrative like this: “Once upon a time, America was a shining beacon. Then liberals came along and erected an enormous federal bureaucracy that handcuffed the invisible hand of the free market. They subverted our traditional American values and opposed God and faith at every step of the way.” For example, “instead of requiring that people work for a living, they siphoned money from hard-working Americans and gave it to Cadillac-driving drug addicts and welfare queens.” Instead of the “traditional American values of family, fidelity and personal responsibility, they preached promiscuity, premarital sex and the gay lifestyle” and instead of “projecting strength to those who would do evil around the world, they cut military budgets, disrespected our soldiers in uniform and burned our flag.” In response, “Americans decided to take their country back from those who sought to undermine it.”

This, too, is a heroic narrative, but it’s a heroism of defense. In this narrative it’s God and country that are sacred — hence the importance in conservative iconography of the Bible, the flag, the military and the founding fathers. But the subtext in this narrative is about moral order. For social conservatives, religion and the traditional family are so important in part because they foster self-control, create moral order and fend off chaos. (Think of Rick Santorum’s comment that birth control is bad because it’s “a license to do things in the sexual realm that is counter to how things are supposed to be.”) Liberals are the devil in this narrative because they want to destroy or subvert all sources of moral order.

Actually, there’s a second subtext in the Reagan narrative in which liberty is the sacred object. Circling around liberty would seem, on its face, to be more consistent with liberalism and its many liberation movements than with social conservatism. But here’s where narrative analysis really helps. Part of Reagan’s political genius was that he told a single story about America that rallied libertarians and social conservatives, who are otherwise strange bedfellows. He did this by presenting liberal activist government as the single devil that is eternally bent on destroying two different sets of sacred values — economic liberty and moral order. Only if all nonliberals unite into a coalition of tribes can this devil be defeated.

— Jonathan Heidt, “Forget the Money, Follow the Sacredness,” New York Times