Archive for the 'In this week's New Yorker' Category

In this week’s New Yorker

January 11, 2013

new yorker jan 14

No earth-shattering pieces in this issue, but still several stories that engrossed me from beginning to end:

* Peter Hessler’s “Letter from Cairo,” which describes the many way that the Muslim Brotherhood has betrayed its promises and generated a lot of distrust and opposition among Egyptian citizens after the ouster of Mubarak;

egypt photo by moises saman

* the ever-amusing Patricia Marx’s consumer report on Taskrabbit and similar apps that allow you to outsource mundane tasks;

* Rachel Aviv’s substantial and thought-provoking article, “The Science of Sex Abuse,” that focuses on laws that treat possession of child pornography as crimes equivalent to molesting children, keeping men in prison under civil commitment provisions who have never acted on their fantasies of sex with underage humans;

* John McPhee’s essay on structure, in “The Writing Life” — I’m not a big McPhee fan (who has time for a 90,000 word piece about sand?) but I was delighted to know that there are times when even he finds himself squirming on the floor in tears unable to get going with a writing task;

* “Semi-Charmed Life,” Nathan Heller’s essay about several books about contemporary twentysomethings, which ultimately I found annoying; and

* Joan Acocella’s essay about St. Francis of Assisi, triggered by two recent books about him. Acocella’s choices of subject frequently surprise me, and her plain, direct, commonsense style often cracks me up. “Francis was very ill,” she writes, for the last six years of his life. “He returned from Egypt not just with malaria but with trachoma, a searingly painful eye infection. Also, it is said, he vomited blood, which suggests a gastric ulcer. When he finally allowed himself to be examined, the doctor decided to cauterize Francis’s face from the jaw to the temple, to stop the discharge from his eyes. ..The treatment did no good, so it was decided to pierce his eardrums. That had no effect, either. This part of the story is very hard to read.”

soulmate cartoon
I’ve recently subscribed to the New Yorker Out Loud podcast, which turns out to be a great way to hear what various New Yorker writers and editors sound like. Rachel Aviv, for instance, is this week’s guest. You can subscribe via the iTunes Store.

witchcraft cartoon

 

In this week’s New Yorker

January 6, 2013

pookie poo cartoon
A few long pieces held my interest:

* Lauren Collins on the new vogue for Scandinavian TV shows (with my favorite passage in the entire issue);

* Adam Green’s profile of Apollo Robbins, whose professional is pickpocket-as-entertainer; and

* Daniel Mendelsohn’s “Personal History” account of the correspondence between a tortured young homosexual (himself, growing up in Long Island) and Mary Renault, renowned lesbian author of a string of novels set in ancient Greece loaded with homosexual romances.

mendelsohn

Andy also pointed out the poignant contrast between Chris Ware’s “Back to School” cover from last September…

new yorker back to school

and this week’s, titled “Threshold,” in which the parents are not nearly so casual as they drop the kids off to school:

new yorker threshold

In other media notes, I was struck by a couple of juxtapositions in the Sunday New York Times recently that left misleading impressions. Last weekend, the annual “The Lives They Led” issue opened with this spread, which at first I took for a remarkably tony two-page ad for Portlandia:

portlandia spread

Then in today’s Arts and Leisure section, at first glance it looks like Reed Birney is making his Broadway comeback in drag impersonating a highly recognizable Hollywood actress:

1-6 actor comeback

 

In this week’s New Yorker

December 22, 2012

I found myself surprisingly lukewarm about the series of articles on the issue’s theme of World Changers, though I appreciated “Out in Africa,” Alexis Okeowo’s illuminating article about Frank Mugisha and other courageous gay activists in Uganda, as well as Elif Batuman’s long article about an amazing all-female theater troupe in rural Turkey. I got drawn into Bill Wyman’s review of Randall Sullivan’s Michael Jackson biography Untouchable: The Strange Life and Tragic Death of Michael Jackson, which includes this remarkable assertion: “It’s an open question whether Jackson ever had sex with anyone — man, woman, or child. Sullivan believes the singer died a virgin.” Speaking of weird and self-destructive R&B singers, Sasha Frere-Jones writes an unusually unsparing essay about Rihanna and her relationship with Chris Brown, whom he describes as “an agile dancer, a better-than-average rapper, and a passable singer…also, by all appearances, a vile human being. ” A bunch of kinda great cartoons, though:

low level person abominable snowmom had work done

In this week’s New Yorker

December 6, 2012

new yorker dec 10 steinberg cover
Three fine long stories:

* the great art writer Calvin Tomkins’ profile of Laurie Simmons, not skirting her complicated relationship with her now-famous daughter, Lena Dunham (of Girls fame);

* Rachel Aviv’s fascinating and extremely informative article on gay teens in New York City, “Netherland,” mostly following a young lesbian from central Florida named Samantha; and

* “The Heiress,” Ken Auletta’s in-depth report on Elizabeth Murdoch, daughter of Rupert, who is married to someone from another famous family (Matthew Freud, great-grandson of you-know-who). A passage I liked “Rupert Murdoch, who is eighty-one, abhors the gossip about his successor. Like Charles de Gaulle, he cannot imagine death knocking on his door. He maintains a careful diet, works out with a trainer, and reminds people that his mother, Dame Elisabeth, is a hundred and three years old. ‘When the Queen Mum died, at one hundred and one,’ Roger Ailes recalls, ‘I said to Rupert, “She had a good run.”‘ Murdoch replied, ‘I’d call it an early death.’ ”

Plus some amazing images in the arts listings and an extra-good cartoon:

illo of experimental pop band Black Moth Super Rainbow by Daniel Krall

illo of experimental pop band Black Moth Super Rainbow by Daniel Krall

instagram cartoon fosso                                    Samuel Fosso’s photo “Le Chef Qui A Vendu l’Afrique aux Colons”

In this week’s New Yorker

December 2, 2012

america bitch cartoonThe annual Food Issue isn’t one I look forward to with particular relish, but I gorged myself on this year’s, starting with a uniformly excellent Talk of the Town section, especially the pieces on dragonflies and Aimee Mann. Calvin Trillin’s piece on Mexican food includes this hilarious description of mole as “a thick sauce made from as many as thirty ingredients, in a process so laborious that it puts most complicated Continental dishes into the category of Pop-Tart preparation by comparison.” Among the food pieces, I found myself engrossed by Mimi Sheraton’s piece on sausages and Lauren Collins’s profile of Apollonia Poilane, who took charge of her family’s famous bakery in Paris after her parents died in a helicopter crash when she was 18 years old. And I kept being strangely moved to tears by Jane Kramer’s loooooong, intimate profile of Yotam Ottolenghi (below) and Sami Tamimi, two gay Israelis (ex-lovers now with other partners) who have apparently revolutionized the way food-conscious Londoners eat. At the very end of the article, she describes an enviable evening she spent cooking, eating, and drinking wine with the two of them, their partners, and Ottolenghi’s ex Noam Bar and his partner.
ottolenghiAlso delicious: Peter Schjeldahl’s review of Deidre Bair’s biography of Saul Steinberg, whose love life was remarkable, to say the least. I haven’t read Antonya Nelson’s short story “Literally,” but I’m about to chill out and listen to her read it aloud on the magazine’s iPad app.