Archive for the 'good stuff online' Category

Good stuff online: SMASH recaps and the heroic fact-checker

February 26, 2012

I’m willing to bet that watching Smash, the NBC sitcom about the making of a Broadway musical, will never be more entertaining than Rachel Shukert’s recaps for New York magazine’s online entity, Vulture.

Meanwhile, the New York Times today publishes two lengthy stories about this new book, The Lifespan of a Fact, which consists entirely of the written exchanges between John D’Agata, a University of Iowa writing teacher and freelance essayist, and Jim Fingal, the young intern charged with fact-checking a piece about Las Vegas for the literary magazine The Believer. Gideon Lewis-Kraus’s piece in the magazine is quite good, but not nearly as thorough, entertaining, or devastating to D’Agata as Jennifer B. McDonald’s front-page take-down in the Times Book Review. The publication of this idiosyncratic 123-page exercise in journalistic shop-talk and ethical studies instantly creates a new literary villain (D’Agata’s comments are immaculately specious) and a new hero (although he’s apparently now designing software, Jim Fingal has earned a special place as the Heroic Fact-Checker of our time). Intriguing author photo — can you guess which guy is which?

Good stuff online: Laurie Anderson at the Sydney Opera House

February 18, 2012

I just stumbled upon a beautiful slideshow online of  Laurie Anderson’s 2010 “Lighting the Sails,” an installation of images projected onto the Sydney Opera House. The documentary photographs are by Mei Li. Check it out here.

Occupy: Halloween highlights

October 31, 2011
10.31.11
One of the most inspiring things about the Occupy Wall Street movement is the outpouring of participation in citizen democracy it has engendered.
Here are a couple of excellent contributions I’ve encountered, while spending a sick day in bed with the device that Nicholson Baker calls my “rectangle of slip-sliding joy”:
This excellent bit of cyber-activism intended to Keep Wall Street Occupied is not only an amusing prank but an intelligent analysis with good modelling of thinking-through-the-project AND its reminder that there’s no substitute for taking to the streets with your body.
Also, see Keith Boykin’s excellent eyewitness report in Huffington Post on the Top Ten Myths About Occupy Wall Street. Very moving and inspiring is the sign posted in Zuccotti Park listing “Principles of Kingian Nonviolence”:
1. Nonviolence is a way of life for courageous people.
2. The Beloved Community is the framework for the future.
3. Attack forces of evil not persons doing evil.
4. Accept suffering without retaliation for the sake of the cause to achieve a goal.
5. Avoid internal violence of the spirit as well as external physical violence.
6. The universe is on the side of justice.
“You may retaliate against us with all the forces of hatred, but we will in turn respond with all the forces of love, and we will wear you down.” — Dr. Martin Luther King
Thanks to Craig Weltha for turning me on to both these links, along with Eduardo Porter’s sensible essay in the NY Times Sunday Review.

Good stuff online: Bon Iver’s “Holocene” video

August 29, 2011


I’m a huge fan of Justin Vernon, aka Bon Iver, and have been delving deeply into his second album (called Bon Iver, Bon Iver). His voice is distinctive, the sound spectacular, and his songwriting very peculiar, haunting and yet impenetrable. Even his girlfriend, the very fine songwriter Kathleen Edwards, confessed to the NY Times, “I mean this respectfully, but most of the time I have no idea what Justin’s songs are about.” (Read Jon Caramanica’s very good profile here.) But I spent some time during the, uh, hurricane hunkered down with the headphones and his record company’s website, which very thoughtfully provides the lyrics to all the songs on the new album. (I purposely bought a hard copy of the CD just so I could get the lyric sheet, but with characteristic perverseness Vernon wrote out all the lyrics by hand and they’re almost impossible to read, just like Rufus Wainwright’s on his most recent album, All Days Are Nights: Songs for Lulu.) Reading them while listening to the songs gave me a lot. Many of them absolutely scan like dadaist poetry, with lines I plan to memorize and spout at (in)appropriate moments, such as “Unpeel keeness, honey, bean for bean” or “Fuck the fiercest fables, I’m with Hagen.” Not since Van Dyke Parks collaborated with Brian Wilson on Smile has there been such a match of gorgeous melodies and sense-defying lyrics.

But I had a whole other experience watching the video Bon Iver made for “Holocene,” which opens up the song in a whole other way. The chorus, repeated three times with slight variations, leaps off from the line “at once I knew I was not magnificent,” which sounds somewhat abject and self-negating. But in the video, shot in Iceland, makes the line positively Whitmanesque — it captures the ecstatic moment when a sentient being abandons his solipsism for a moment and realizes that he is only a small part of something gigantic and wondrous. Notice how when that line comes up, the video cuts to the sky, the mountains, an eagle — indeed, they are magnificent.

http://vimeo.com/27353250

Holocene

Someway, baby, it’s part of me, apart from me.
you’re laying waste to Halloween
you fucked it friend, it’s on it’s head, it struck the street
you’re in Milwaukee, off your feet

…and at once I knew I was not magnificent
strayed above the highway aisle
(jagged vacance, thick with ice)
I could see for miles, miles, miles

3rd and Lake it burnt away, the hallway
was where we learned to celebrate
automatic bought the years you’d talk for me
that night you played me ʻLip Paradeʼ
not the needle, nor the thread, the lost decree
saying nothing, that’s enough for me

…and at once I knew I was not magnificent
hulled far from the highway aisle
(jagged, vacance, thick with ice)
I could see for miles, miles, miles

Christmas night, it clutched the light, the hallow bright
above my brother, I and tangled spines
we smoked the screen to make it what it was to be
now to know it in my memory:

…and at once I knew I was not magnificent
high above the highway aisle
(jagged vacance, thick with ice)
I could see for miles, miles, miles

Good stuff online

August 23, 2011


The accelerating stream of excited e-mail missives from friends gearing up for Burning Man brings to mind my favorite experience from the playa last year. By chance, to escape a dust storm, Andy and I ducked into a dance club called Automatic Unconscious where DJ Bootie was spinning a set of brilliant mashups. Turns out she has a website and blogwhere you can download any number of her inspired mixes. (Magic words on the internets: free download! free download!) I’m especially fond of the May 2011 mix, which includes some rockin’ club mixes of Adele’s “Rollin’ in the Deep.”