Archive for the 'from the deep archives' Category

From the deep archives/photo diary: West Coast, 1986

May 28, 2012

I’ve unexpectedly found myself spending a lot of this Memorial Day weekend looking at old pictures and uncovering all kinds of pleasant recollections.

In the summer of 1986, I went on a West Coast road trip with my friend the late Bob Boyle. We ended up in San Diego, but we started out in San Francisco, where I hung out with my playwright friend Stanley Rutherford in the Embarcadero on his lunch break.

From there we drove down the coast, stopping in Big Sur at Nepenthe

Los Angeles was a big destination, and I was eager to see a whole bunch of friends in a short amount of time. So we all met at a Mexican restaurant. I think this was where I first met the poet and artist Gavin Dillard (center), who was then dating my friend the late Dave Whyte (right).

Also at that same dinner were the late Peter Evans (left), a dear friend of mine from New York, and Rick Fouts (right), whom I first met while standing in line at a theater in LA two years earlier.

From there we proceeded to La Jolla where we spent time on Black’s Beach with Dave and Gavin. Gavin took a bunch of great black-and-white photos of us that day, and I got this shot of him.

In those days, I was friends with Des McAnuff, who was artistic director of the La Jolla Playhouse, and I saw shows Des directed there every chance I could get. He and his wife Susan Berman (above) played with the band (the Cadillac Cowboys, below) in a fun mini-concert after William Hauptman’s terrific play GILLETTE, whose cast included a very young Campbell Scott.

The following summer Des directed Linda Hunt as Dolly Levi in a revival of Thornton Wilder’s THE MATCHMAKER.

Linda is a childhood friend of Stephen Holden’s, and I’d gotten to know her a bit over the years through other mutual friends in the theater. Over dinner she told me about her brief torrid affair with Caryl Churchill.

From the deep archives: I FEEL LOVE

May 20, 2012

In 1980, the first year I lived in New York, Stephen Holden gave me this beloved Donna Summer promo T-shirt. Here I’m wearing it in front of my wall of vinyl at my first apartment on Perry Street. I look a lot like my mother in this photo.

Same day, only now with my beloved feline, Catatious Mona Dumonde

In 1992, at a Body Electric workshop at Wildwood in Northern California, I gave the T-shirt as a gift to Javier Regueiro, pictured here with Collin Brown, then-owner of the Body Electric School. Javier is now a shaman in Peru. Collin lives in Port Townsend, Washington. And Donna Summer is dead, R.I.P.

From the deep archives: Jon Lipsky’s MASTER OF ECSTASY

April 30, 2012


I only just last week belatedly learned from the Boston University alumni magazine of the death of Jon Lipsky (above) over a year ago — March 25, 2011, at age 66 from cancer. When I lived in Boston in the second half of the 1970s, Lipsky belonged to a small hardy population of talented artists passionately committed to making experimental theater in Boston, rather than accepting the conventional wisdom that you had to move to New York to do such things. As a tribute to Jon, I’ve posted on my writing archive the admiring review I wrote, as an eager young theater critic for the Boston Phoenix, of a play he wrote in collaboration with the ensemble who called themselves Reality Theater. The play was Master of Ecstasy, and I’m still surprised that the play never had a life after its original production. Check it out here and let me know what you think.

 

From the deep archives: SPALDING GRAY

April 12, 2012

I first saw Spalding Gray performing with the Performance Group and doing his solo work in 1979. I wrote about him a lot in the early days, interviewed him several times, and got to know him a little bit. I just unearthed for my archive the feature story I wrote about him for the New York Times in 1986, as well as the chapter on him that appeared in Caught in the Act: New York Actors Face to Face, published the same year. My collaborator for the book was photographer Susan Shacter, who took this beautiful picture of Spalding.
Of course, reading these interviews — especially the one for the book — is incredibly poignant now after he’s gone.

Also, I remember editing the Times article over the phone from a post office in Paris and fighting with my editor who told me that the word “horny” could not appear in the august pages of The Newspaper of Record, even in a direct quote. The compromise we arrived at was “randy.” I’ve changed it back to “horny” on my archive, but you can still read the original published version on the Times website here.

 

From the deep archives: Second Stage producers Carole Rothman and Robyn Goodman

March 10, 2012

Thirty years ago I was relatively new to New York City, an incredibly ambitious, intrepid, gung-ho freelance writer churning out feature stories and reviews about theater, movies, and music for the New York Times Arts & Leisure section, the Village Voice, and Rolling Stone, mainly. Here’s an interview I did with Carole Rothman and Robyn Goodman five years after they launched the Second Stage Theater, in a different location and with a different mission than the company holds down under Rothman’s leadership today. Goodman, of course, is now the Tony Award-winning Broadway producer of In the Heights and other shows (and despite the nervousness she evinced in this long-ago interview, an out and proud lesbian). Check it out and let me know what you think.