Posts Tagged ‘william finnegan’

In this week’s New Yorker

April 26, 2013

Another week of exemplary reporting. Editor-in-chief David Remnick literally overnight called on his years of experience reporting from Russia to post on the magazine’s website his amazingly thorough, thoughtful, deep Talk of the Town piece on the Tsarnaev brothers and the Chechen culture they came from.

With his typically tenacious reporting and dry-eyed scrutiny, William Finnegan reports (“The Deportation Machine”) the horrific story of Mark Lyttle, a 35-year-old biracial mentally ill American citizen from North Carolina, who  — through a series of bureaucratic mishaps that even Kafka might have considered far-fetched — was deported, shoved across the Mexican border with three dollars in his pocket, and forced to spend four months wandering (sometimes on foot) through Central America until the American Embassy in Guatemala contacted his family and sent him home. Except that he was arrested at the airport in Atlanta under the assumption that his newly issued passport was a fake.

Then there’s Luke Mogelson’s “Letter from Aleppo,” a soul-wrenching dispatch from the bloody midst of Syria’s raggedy civil war. Mogelson’s piece focuses on the people who have assumed the task of burying the corpses that get pulled out of the River Queiq that runs through Syria’s largest city (234 in recent months) and the heavily-traveled bridge on which Syrian Army snipers shoot commuters “in order to bait rebel fighters and would-be rescuers,” except that most of the victims turn out to be women, children, and old men who can’t run fast enough to escape.

I confess that after reading Finnegan’s and Mogelson’s pieces, I was relieved to turn the page and read Ian Parker’s profile of filmmaker Noah Baumbach.

Also in the issue: excellent piece about writing by echt New Yorker staffer John McPhee, who makes a case for the dictionary being a writer’s best friend; a portfolio of pieces (including “Onlookers,” below) by photographer Roger Ballen, whose images fueled Die Antwood’s stunning music video “I Fink U Freeky”; and a column in the Current Cinema department that reminds me that the way to brighten anyone’s day is to read aloud Anthony Lane’s movie reviews out loud.

bollen onlookers

In this week’s New Yorker

June 28, 2012

Quirky fun issue that centers on four very detailed fact pieces: Patricia Marx on scavenger hunt mania at the University of Chicago; John McPhee gleefully cycling into print a long string of obscenity-laden passages that previous editors (including the famously squeamish Mister Shawn) deemed “not for us,” including a bravura extended account by McPhee of what goes on at a stud farm; William Finnegan making sense while writing about the ultra-complicated interplay of drugs and politics in Guadelajara; and Calvin Tomkin masterfully profiling Nick Serota, director of the Tate Modern museum in London. Louis Menand also contributes a very fine piece on the art of writing biographies of James Joyce. (See Quote of the Day.)

In this week’s New Yorker

February 28, 2012


Aside from Roz Chast’s wonderful cover and a handful of funny cartoons (see my favorite, by Emily Flake, below), this issue is noteworthy for William Finnegan’s satisfying report on how Minnesota governor Scott Walker’s anti-union crusade has backfired on him and Nick Paumgarten’s entertaining depiction of the social scene at the World Economic Forum in Davos.

In this week’s New Yorker

January 22, 2012

Another stellar batch of cartoons!


Along with fine reporting by Ariel Levy on Callista Gingrich, Steve Coll on “Looking for Mullah Omar,” and William Finnegan, who traveled to Madagascar with club and restaurant superstar Eric Goode to observe his passion for saving rare breeds of tortoise. The latter piece is a real vocabulary expander; I picked up “chelonian,” “gular scute,” and “opuntia cactus.” Lots of astonishing tortoise lore: “Chelonians actually predate many dinosaurs. They have been lumbering around for more than two hundred million years, and have changed very little in all that time. Nobody knows how long individual plowshares live. Captain James Cook took away a radiated tortoise, the plowshare’s closest relative, and gave it to the King of Tonga, in 1777. It died in 1966.” And the next time there’s a lull in conversation over dinner, try telling your guests “Endoscopic turtle sexing will not become common practice in Madagascar any time soon.”

Poet Donald Hall contributes a poignant Personal History essay on aging, “Out the Window,” and Anthony Lane applies his characteristically droll erudition to reviewing Ralph Fiennes’ film adaptation of Shakespeare’s Coriolanus: “The movie unfolds in a modern setting, and in modern dress. This will obviously be disappointing to any Gerard Butler fans who hoped to see their man reprise his majestic outfit from 300, which consisted of helmet, cloak, and pull-up Spartan diaper.” And whichever poetry editor has been slipping lyrics by pop songwriters such as Joni Mitchell and Paul Simon into the magazine has now added to the list Leonard Cohen. As usual, the lyric doesn’t fly so well on the page, but on the website you can scroll down and hear the track “Going Home” from Cohen’s forthcoming album, Old Ideas, hotly anticipated by me.

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