Archive for February, 2012

Quote of the day: PESSIMISM

February 19, 2012

PESSIMISM

There is immense unthinking cruelty discreetly coiled within the assurance that everyone can discover happiness through work and love. It isn’t that these two entities are invariably incapable of delivering fulfilment, only that they almost never do so. And when an exception is misrepresented as a rule, our individual misfortunes, instead of seeming to us quasi-inevitable aspects of life, will weigh down on us like particular curses. In denying the natural place reserved for longing and incompleteness in the human lot, the modern world denies us the possibility of consolation for our fractious marriages and our unexploited ambitions, and condemns us instead to solitary feelings of shame for having stubbornly failed to make more of our lives.

– Alain de Botton

Good stuff online: Laurie Anderson at the Sydney Opera House

February 18, 2012

I just stumbled upon a beautiful slideshow online of  Laurie Anderson’s 2010 “Lighting the Sails,” an installation of images projected onto the Sydney Opera House. The documentary photographs are by Mei Li. Check it out here.

Playlist: iPod shuffle, 2/18/12

February 18, 2012


“The Park,” Feist
“Dear Someone,” Sarah Gazarek
“Honey Honey,” Feist
“Locked in a Room,” Oren Lavie
“Donna non vidi mai” (from Manon Lescaut), Vittorio Grigolo
“Sweet Blindness,” Judy Kuhn
“White Material,” Tindersticks
“Bless This Space,” Brian Eno
“Follow the Lights,” Ryan Adams
“Shine,” Joni Mitchell
“Roses Blanches,” Kate & Anna McGarrigle
“Friend of Mine,” Liz Phair
“Harbour,” Peter Allen
“Solomon,” Meshell Ndegeocello
“Calgary,” Bon Iver
“Rhumba Club,” Laurie Anderson
“Take Your Shoulder from the Wheel,” Mark Weigle
“Change of Heart,” Teddy Thompson
“Closer to You,” Cassandra Wilson

Events: PARIS, TEXAS at the Rubin Museum next Friday, February 24

February 17, 2012

The Rubin Museum of Art, one of New York City’s finest small museums, specializes in Himalayan arts and culture, and its multimedia programming, curated by Tim McHenry, is extraordinarily inventive and delicious. Every Friday night there’s a Cabaret Cinema, movie night with cocktails. Next Friday, February 24, the series will feature Wim Wenders’ 1984 Paris, Texas, whose screenplay came from Sam Shepard. As a Shepard scholar, I’ve been asked to introduce the film (i.e., talk about the film beforehand for nine minutes — and ONLY nine!). Feel free to join me for the occasion.

 

In this week’s New Yorker

February 17, 2012


The cover of the anniversary issue is pretty great (above, title: “Loading”), and so are several of the runners-up in the annual competition for readers to submit variations on the classic Eustace Tilley cover illustration. Here are a few of my favorites:



The New Yorker has published tons of fantastic medical writing in recent years, and this issue features a long, fascinating, almost miraculous Reporter at Large story about face transplants. It’s very moving to read but the details are rough-going. I often read magazines while I’m eating, and I had to put this article off til later. Raffi Khatchadourian got spectacular access to the doctors who performed the 18-hour surgery to give a burn victim a new face (below). Eighteen hours!

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