Theater review: ANGELS IN AMERICA

December 20, 2010

I subscribed to the Signature Theatre Company this season, devoted to the work of Tony Kushner, specifically so I could buy $20 tickets and take Andy to see Angels in America, which he’d never seen before in any form. Then I dilly-dallied around during the membership ticket-buying period and it was sold out until way into the new year. We ended up getting on the priority waiting list, which meant we might have had to sit on the stairs for all seven hours of this two-part epic. But we did not.

As I say in my CultureVulture review, “Angels in America… means a lot to me, having followed it as a journalist since it existed only as an unproduced manuscript being handed around by excited literary managers. I saw the 1991 world premiere at the Eureka Theater in San Francisco (when “Perestroika,” the second play, was still a work-in-progress), and then the first fully staged production the following year in Los Angeles, both parts as they debuted on Broadway in 1993, and then the Mike Nichols movie, which I watched twice. When the Signature Theatre Company scheduled a revival of Angels in America as the opening show in its current season devoted to the work of Kushner, I didn’t know if I had it in me to sit through the seven-hour thing again. I was almost dreading it, partly because I heard very mixed word-of-mouth about the cast. Well, forget all that. The Signature revival is a triumph for everyone involved.”

You can read the whole review online here.


Andy reported overhearing someone in the lobby reading the above sign and murmuring, “I hope the haze doesn’t obscure the nudity.” It didn’t.

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